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Heide Museum of Modern Art is only 20 minutes from Melbourne's CBD and boasts a unique combination of art, architecture and landscape.
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After 25 years, RealTime is calling it a day, but not before celebrating its significant archive of reviews, interviews and other documentation of the sector.
A new survey points to a rise in significant injuries, but also suggests that education, policies and interventions are helping shape safer dancing practices.
‘We will no longer tolerate this climate of fear and silence,’ say sector members.
Changes at Sydney Opera House, Artbank, Ten Days on the Island, Terrapin Puppet Theatre and more.
Wrapping up a successful inaugural event in Lismore, the baton was handed to Bathurst to showcase NSW arts in 2018.
Our language tells us a lot about who we are: our confidence, our embrace of trends, our professionalism and our priorities. So what did 2017 say?
Adelaide Festival, Restless Dance Theatre and Tutti Arts were among the winners, with WOMADelaide Director Ian Scobie taking home the Premier’s Award for Lifetime Achievement.
Described as a living document, which can be updated as required following sector input, the Code of Practice is based on a similar model recently adopted by the Royal Court Theatre.
A new initiative from Australian Dance Theatre, the inaugural Adelaide Dance Festival will be held from 8-21 July 2018.
Theatre Works Creative Director steps down, end of an era at Monkey Baa, CEO steps down at Dendy / Icon, and Dark Mofo appoints a new literature & ideas producer.
The new program aims to give Brisbane creatives the time and support required to present shows of a professional standard.
Creative team announced for Gold Coast Games; new Patron at Metro Arts; future-proofing JUTE Theatre Company; changes at UNSW Art & Design, and more.
Discounted tickets to mainstage shows will be provided for artists, and Belvoir’s downstairs theatre will be freely available to independents.
Peak copyright agency forced to take the NSW Government to the Copyright Tribunal after its refusal to pay for fair use.
Staff shuffle at The Wheeler Centre; farewells for NAVA; new Creative Producer at Carlew, CEO for Canberra Glassworks announced, and more.
The event will focus on bolstering the mental health and wellbeing of artists working in the performing arts and screen industries.
So much of our time is spent chasing audiences and funding, and thinking about metrics instead of creativity. It’s time to remember what our core business really is.
Queer art will continue to evolve, even now that we've achieved marriage equality.
Advice from the experts on creating your own culture-focused podcast, as well as suggestions as to what to listen to next.
When it comes to working with marginalised communities, good intentions mean little without sound ethics.
Is there something in the nature of the performing arts industry which creates conditions conducive to exploitation?
First Nations theatre-makers have much to teach the sector when it comes to ensuring that our rehearsal rooms are culturally safe spaces.
In his 2017 Philip Parsons Lecture at Belvoir, award-winning lighting designer Nick Schlieper asks: how can we turn the anti-subsidy trend around?
If #MeToo has taught us anything, it’s that telling better women’s stories hasn’t really changed the lived experience of women, because it hasn’t really changed men.
What qualities and skills are needed by today’s aspiring songwriters with sights on the international action? It’s a lot more than just rhythm and melody.
Queensland artists are in high demand overseas. Queensland artists are also moving to southern states to survive. How to resolve this defining contradiction of culture?
The Great Australian Plays: Williamson, Hibberd and the better angels of our country’s nature.
Playwright David Finnigan describes his journey navigating the attacks on his play, Kill Climate Deniers.
More Opinions and Analysis
A traditional if bland performance of a seasonal favourite.
A series of monologues on those suffering homelessness in Melbourne by award- winning playwright Daniel Keene. A searing, poignant and nuanced production that pulls at every heart string.
The Sydney Symphony Orchestra revives Bela Bartók's haunting operatic psychodrama.
Fresh youthful voices and the disembodied life coaching of Lady Gaga.
Seldom does an arts company stick so closely to its visions and purpose, Spare Parts Puppet Theatre is the anomaly.
An exquisite musical journey that takes you from sun down amongst natural beauty to first light after a sleepless city night.
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