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The Tasmanian government has committed $1.75 million to the relocation of Mona Foma (MoFo) to Launceston for each of next three years.
New Curator for UQ, new Chair for Experimenta, CEO to leave Australian Booksellers Association, Exec Director leaves WA arts chamber and more.
Minister says a trifecta of blockbuster productions demonstrated NSW is home to music theatre, and is balanced with pop-up Shakespeare festival.
New editor for The Saturday Paper and artist re-elected to PPCA Board, New Head for Leonard Joel and New Zealand Opera, plus other news.
From artists to museum directors, screen producers, publishers and arts patrons – we take a look at who was honoured this year.
Spark NT Curator announced; Director leaves CCP; editor moves on from Black Inc. and board changes at Arts North West
NGV Contemporary will be constructed as part of a multi-million revamp of the Southbank arts precinct, though experimental space Testing Grounds will be lost to a new Arts Centre Melbourne campus in the process.
New Director for Writers SA, new Board for Music SA, and Bridging Hope Foundation welcomes new advisory chair.
Introducing quotas, improving access to childcare, and stronger mentoring opportunities are among the many recommendations of the independent report, Turning Pointe: Gender Equality in Australian Dance.
Art schools continue to set a high bar, with education and student satisfaction standards well above Australian universities, according to a recent report.
A new 1500 seat theatre is to be built at the Queensland Performing Arts Centre (QPAC) but Aboriginal leaders say First Nations culture should be prioritised instead.
Sydney Theatre Company has been granted planning permission for the refurbishment, and companies confirmed for Pier 2/3.
Arts House announce new Artistic Director; Brisbane Festival appoints new CEO; new NAVA Board members; creative placements at Bell Shakespeare, and more.
Australia’s prestigious Helpmann Awards will leave Sydney and call Melbourne home for the first time next year.
Arson has been ruled out as the cause of the fire which gutted the heritage-listed Carlton theatre on Saturday morning.
A new Senior Curator at Monash Gallery of Art, Adelaide Fringe appoints Head of Industry and Artist Fund, and more.
Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the model might guarantee greater success. But does this realistically translate to the arts context?
Shop assistants and department stores are rich pickings for comedians. Cabaret performer Zeb Direen uses a transgender character to explore dark issues with a comic touch – and a lot of feathers.
Tasmanian artists are increasingly exploring themes which speak to contemporary life, including the island's history of protest and activism.
'People in power have seen our work and believed in our work and have allowed us to come through. But we still have such a long way to go.’
Recent years have seen rapid growth in the number of winter arts festivals, but is there more to their popularity than just a push to boost tourism in the off-season?
A group of children, with help from The Rabble, examine the complex relationship between loneliness and aloneness in a new immersive production.
Contrary to hype around this 'MONA effect', the museum’s benefits do not seem to be being shared with Glenorchy, the municipality it is located in.
Artists do their best work when they feel confident to play, when they feel they are not being judged, when they are spoken to with respect.
Recent events may have left some artists questioning the validity of the Fringe model. Simon Abrahams, Creative Director/CEO of Melbourne Fringe, explains why Fringe Festivals are still an important catalyst for creativity and cultural democracy.
Esther Anatolitis offers a fiery response to a missed opportunity, saying the Arts2025 summit spiralled to a point where all focus was lost.
The full text of Wesley Enoch's keynote address at the National Play Festival 2018.
An open letter to the classical and orchestral sectors about the mistreatment of female artists.
More Opinions and Analysis
Who is the best 007? This long debated question is the light-hearted driver of Charlie D. Barkle and Erin Hutchinson’s Melbourne Cabaret Festival show.
Form Dance presents a thought-provoking visually striking double bill of contemporary dance.
This play opens with some promising questions but ultimately its answers are simplistic and outdated.
Hobart’s renowned winter festival encourages punters to take risks, and rewards visitors with fascinating arts experiences.
St. Vincent can carry a 500-strong audience on the voice alone, but the guitar is a hell of a bonus.
A triumphant triple bill of stunning contemporary dance.
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