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Carlton's legendary La Mama Theatre, which last year celebrated its 50th anniversary, has been devastated by fire.
Living Treasures of Australian Music tell their stories with heart and sing their songs with soul.
The Aboriginal actor, who starred in The Chant of Jimmie Blacksmith and The Shadow King, has died in Katherine aged 59.
WAAPA Executive Dean departs; Chamber Made CEO steps down; Perth Festival appoints next AD and Speak Percussion announces new EP.
Arson has been ruled out as the cause of the fire which gutted the heritage-listed Carlton theatre on Saturday morning.
A new Senior Curator at Monash Gallery of Art, Adelaide Fringe appoints Head of Industry and Artist Fund, and more.
Recent events may have left some artists questioning the validity of the Fringe model. Simon Abrahams, Creative Director/CEO of Melbourne Fringe, explains why Fringe Festivals are still an important catalyst for creativity and cultural democracy.
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The award-winning and much respected composer will oversee the festival from 2020-2023, after Wendy Martin presents her final festival in 2019.
Angus Cerini’s award-winning play is magnificent, horrific and remarkable.
Melbourne Recital Centre has received its largest bequest to date, and one of the most significant, from the Betty Amsden Foundation.
What is the responsibility of theatre-makers towards live shows that either were created or are set in the past – especially when they depict events which are problematic by contemporary standards?
Adapted for the stage by Tom Wright and directed by Matthew Lutton Bliss is a show which makes you question who is right and who is wrong – and at times what the hell is going on?
Alana Valentine's tale of Sydney's class struggle on stage at Belvoir St Theatre.
Rafael Bonachela's new work is stark and stunning.
From big budget stage musicals to the latest in contemporary music, tours are flocking to the ACT.
When you call a plumber do you stop and think "is this person getting paid?" No, because we have labour laws that ensure people are paid for their work. So why do we seem to accept that a different standard applies to workers in the creative industries?
Far more than just a production house, The Street plays a key role in the ACT’s performing arts ecology, while also connecting Canberra’s sector with the nation.
A complex life split between homeland and adopted home where big issues tangle themselves with the everyday.
Providing space for creativity, Ainslie and Gorman Arts Centres celebrate the making of art and music in heritage-listed buildings which speak to Canberra’s past and future.
An exceptional performance was given by Chenoa Deemal as Jess Wright, the protagonist and narrator of this overall jovial yet poignant piece of theatre.
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