Five grounding techniques to cultivate resilient ensembles Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Who needs a Fringe Festival anyway? How does the lack of a Fringe Festival impact on a city’s cultural ecology: is its absence actually a positive for independent artists? Review: Zeb: A Gender Odyssey, Tasmania Performs A gutsy story performed by an emerging artist who knows all too well how hard it is growing up non-binary femme in a farming family in rural Tasmania. Review: Mamma Mia!, Princess Theatre Get your flares and platform boots out because 'Mamma Mia' is back...again... STC and Bangarra triumph at 2018 Helpmann Awards Sydney Theatre Company took home 10 awards, and Bangarra seven – including the award for Best New Australian Work – at this year's awards ceremony, split across two nights. (Premium content) Premium content Molly W. Schenck Monday 9 April, 2018 When creating work that addresses our tumultuous social and political climate, it's important to have processes in place which protect actors from vicarious trauma. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Molly W. Schenck is an independent dance-theatre artist and the founding artistic director of Grey Box Collective (GBC). As an independent (and introverted) artist, she takes time to create solo-performances where she can investigate new forms of technologies, tools and expression. When directing for Grey Box Collective, she creates space for dialogue around difficult conversations utilizing a semi-devised approach to dance-theatre for social change. For the past ten years she has focused her creative efforts in staging sexual assault prevention. Additionally, she has performed with Orange Theatre Group, Conder/Dance Breaking Ground Series, Mesa Arts Center, and nue[BOX]. She has earned an MFA in Dance from Arizona State University, and a M. Ed. in Higher Education and a BA in Theatre from the University of Maine. Outside of the arts, she is a yoga instructor, personal trainer, and health and wellness educator. Learn more at www.mollywschenck.com.