Taking the leap from commerce to arts Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Where are the new Australian musicals? Waiting in the wings As thrilling as they are for audiences, Australia’s musical theatre scene is dominated by productions honed on the West End and Broadway. Does one size fit all? Bridging the urban/rural taste divide For artists focussed on inner-city audiences, the idea of touring regionally can be confronting. But are audiences any different outside the capitals? MPavilion 2017 design revealed A new temporary public pavilion is built to perform. Haydn's Creation A choral creation of biblical proportions. (Premium content) Premium content Maria Katsonis Tuesday 7 April, 2015 Being a 'good Greek girl', was never supposed to involve a career in the arts but Maria Katsonis just couldn't face accounting. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Learn how and where to get grants, with the most extensive grant finder in the arts industry Post, manage and monitor your social media campaigns using our extensive social media toolkit Promote yourself and your career to the largest arts community in Australia by uploading your professional profile Access thousands of subscriber-only features, articles and guides Take advantage of exclusive ticket giveaways, offers and competitions Save hundreds of Dollars every year on cinema tickets, magazines, books, travel, shopping and more with the Member Rewards scheme ... and much, much more. Subscribe Now and be part of the Australian arts community Member login Email address Password Forgot password? About the author Before becoming a bureaucrat in the Victorian public service, Maria worked as an arts manager including General Manager of Anthill, Theatreworks and Arena Theatre Company. She also co-founded an arts management consultancy and production company with John Paxinos. Her writing has been published in The Age, The Guardian and New Paradigm. The Good Greek Girl is her first book.