The allure of monsters in an age of horror

Trump, terrorism, murder: nightmares dominate the news. So why do we turn to fictionalised villains for entertainment?
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Lars Eidinger in the title role of Schaubühne Berlin’s Richard III. Photo credit: Arno Declair.

For all its wilful misrepresentations of the last Plantagenet king, who it depicts as a twisted, Machiavellian psychopath, Shakespeare’s Richard III has given us one of the greatest stage villains of all time. Witty, charismatic and utterly ruthless, Shakespeare’s hunchbacked king has inspired some truly memorable performances. But what is his appeal to contemporary audiences – and what resonance does the play have today?

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Richard Watts is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM, and serves as the Chair of La Mama Theatre's volunteer Committee of Management. Richard is a life member of the Melbourne Queer Film Festival, and was awarded the status of Melbourne Fringe Living Legend in 2017. In 2020 he was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize. Most recently, Richard was presented with a Lifetime Achievement Award by the Green Room Awards Association in June 2021. Follow him on Twitter: @richardthewatts