Working with children: proving W.C. Fields wrong

For theatremakers seeking authenticity on stage, casting children can be an obvious choice – as well as a major challenge.
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Image: Matilda the Musical via rad1sh.wordpress.com

W.C. Fields’ famously caustic advice about not working with children or animals has little sway today, where the agency of children as ​performers is increasingly recognised. From small devised works, to major commercial productions such as Matilda the Musical, which last week announced the casting of the four young actresses – Molly Barwick, Sasha Rose, Georgia Taplin and Bella Thomas – who will share the lead role in the forthcoming Australian production, children are increasingly seen on our stages in both minor and major roles.

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Richard Watts is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM, and serves as the Chair of La Mama Theatre's volunteer Committee of Management. Richard is a life member of the Melbourne Queer Film Festival, and was awarded the status of Melbourne Fringe Living Legend in 2017. In 2020 he was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize. Most recently, Richard was presented with a Lifetime Achievement Award by the Green Room Awards Association in June 2021. Follow him on Twitter: @richardthewatts