Gender partity: maintaining the rage

The battle is far from won. From Sydney to Dublin, the fight for gender parity in the performing arts is entering a new phase.
[This is archived content and may not display in the originally intended format.]

A still from the 2015 film ‘Suffragette’

In 2009, the lack of opportunities for female directors and playwrights on Australia’s main stages was a hot topic, sparked by the launch of Belvoir’s 2010 season, which featured six productions directed by men and only one by a woman. The resulting furore led to a number of proactive initiatives around the country, such as the Female Director in Residence Program at the Malthouse Theatre, and Melbourne Theatre Company’s Women Directors program.

Unlock Padlock Icon

Unlock this content?

Access this content and more

Richard Watts is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM, and serves as the Chair of La Mama Theatre's volunteer Committee of Management. Richard is a life member of the Melbourne Queer Film Festival, and was awarded the status of Melbourne Fringe Living Legend in 2017. In 2020 he was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize. Most recently, Richard was presented with a Lifetime Achievement Award by the Green Room Awards Association in June 2021. Follow him on Twitter: @richardthewatts