‘A wiseman’s art’: Twelfth Night and cross-mobility casting Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: La traviata – Opera Australia Opera Australia opens it 2018 Melbourne Season with a perennial favourite. On the move: the latest appointments and resignations An Associate moves from Queensland Theatre to STC, QSO appoints a Director of Artistic Planning, plus key appointments at the National Aboriginal Art Gallery and Ausdance National. One stop music shop to open in Collingwood Music Market will be a centre for Victoria’s live music industry, providing a focal point for local musicians to work, learn, collaborate and do business. How an exercise in forced intimacy led to a creative collaboration Two award-winning visual artists who developed a friendship during a class exercise exploring tantra, are presenting work together in an exhibition that examines identity and the self. (Premium content) Premium content Bryoni Trezise Tuesday 2 August, 2016 Veteran actor Keith Robinson returns to the stage after a ten year recovery from a severely disabling variant of Guillain-Barre Syndrome. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Arts industry ... and much, much more. Subscribe Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Bryoni Trezise is a Senior Lecturer in Theatre and Performance Studies, UNSW Australia. She researches and teaches in the intersecting fields of performance, cultural and memory studies. She also works in contemporary performance making practices as a dramaturg.