‘A wiseman’s art’: Twelfth Night and cross-mobility casting Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Mona Foma confirms Launceston relocation The Tasmanian government has committed $1.75 million to the relocation of Mona Foma (MoFo) to Launceston for each of next three years. Price first, design later - how the arts can learn from IKEA Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the model might guarantee greater success. But does this realistically translate to the arts context? Review: Marjorie Prime at Ensemble Theatre This play opens with some promising questions but ultimately its answers are simplistic and outdated. Transgender, cabaret, and working in retail Shop assistants and department stores are rich pickings for comedians. Cabaret performer Zeb Direen uses a transgender character to explore dark issues with a comic touch – and a lot of feathers. (Premium content) Premium content Bryoni Trezise Tuesday 2 August, 2016 Veteran actor Keith Robinson returns to the stage after a ten year recovery from a severely disabling variant of Guillain-Barre Syndrome. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Bryoni Trezise is a Senior Lecturer in Theatre and Performance Studies, UNSW Australia. She researches and teaches in the intersecting fields of performance, cultural and memory studies. She also works in contemporary performance making practices as a dramaturg.