What the arts industry can learn from Lego Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Who needs a Fringe Festival anyway? How does the lack of a Fringe Festival impact on a city’s cultural ecology: is its absence actually a positive for independent artists? Review: Zeb: A Gender Odyssey, Tasmania Performs A gutsy story performed by an emerging artist who knows all too well how hard it is growing up non-binary femme in a farming family in rural Tasmania. Review: Mamma Mia!, Princess Theatre Get your flares and platform boots out because 'Mamma Mia' is back...again... STC and Bangarra triumph at 2018 Helpmann Awards Sydney Theatre Company took home 10 awards, and Bangarra seven – including the award for Best New Australian Work – at this year's awards ceremony, split across two nights. (Premium content) Premium content Fiona Maxwell Friday 25 August, 2017 In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Fiona Maxwell is the CEO of Brisbane Powerhouse. Her career has spanned the non-profit, government and university sectors in Australia and the USA. Prior to Brisbane Powerhouse, Fiona was Queensland Manager for Philanthropy Australia, establishing the Brisbane office and supporting philanthropists and non-profits alike to grow the sector.Fiona’s role as Queensland Manager, Artsupport Australia encompassed growing cultural philanthropy as well as supporting the non-profit sector to build stronger and more sustainable relationships with its supporters. Prior to this role, Fiona was Executive Director of the Next Wave Festival. She has been Chair and board member of organisations including industry service and peak bodies, an internet start-up and philanthropic grant-making committees. Fiona holds a Bachelor of Arts from QUT, and a Masters from the University of New South Wales.