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Head Curator for Artbank, new NAVA Board members, creative placements at Bell Shakespeare, and more.
VCA Dance is celebrating 40 years of outstanding dance education and training and the accomplishments of its alumni at a special event on Sunday 10 June.
Education plays are giving emerging playwrights the opportunity to write original work, connect with younger audiences and create a name for themselves in the sometimes impenetrable theatre industry.
Australia’s prestigious Helpmann Awards will leave Sydney and call Melbourne home for the first time next year.
Arson has been ruled out as the cause of the fire which gutted the heritage-listed Carlton theatre on Saturday morning.
The writing, life and person of Simone de Beauvoir reimagined and expanded in a nuanced exploration of the vicissitudes of love.
A new Senior Curator at Monash Gallery of Art, Adelaide Fringe appoints Head of Industry and Artist Fund, and more.
When you call a plumber do you stop and think "is this person getting paid?" No, because we have labour laws that ensure people are paid for their work. So why do we seem to accept that a different standard applies to workers in the creative industries?
Carlton's legendary La Mama Theatre, which last year celebrated its 50th anniversary, has been devastated by fire.
HIR is a black comedy that dissects the dysfunctionality of family and the general disarray that describes life, and is easily one of the best works produced of late by Black Swan Theatre Company.
Recent events may have left some artists questioning the validity of the Fringe model. Simon Abrahams, Creative Director/CEO of Melbourne Fringe, explains why Fringe Festivals are still an important catalyst for creativity and cultural democracy.
Opinions & Analysis
Rafael Bonachela's new work is stark and stunning.
Angus Cerini’s award-winning play is magnificent, horrific and remarkable.
Melbourne Recital Centre has received its largest bequest to date, and one of the most significant, from the Betty Amsden Foundation.
Director Sean O’Riordan wasn’t wrong to describe Troilus and Cressida as a 'problem play'.
Despite its flaws, Mother’s Ruin is a hell of an enjoyable performance with a clearly talented ensemble.
An exceptional performance was given by Chenoa Deemal as Jess Wright, the protagonist and narrator of this overall jovial yet poignant piece of theatre.
Hope, love, mortality, delusion, class identity and gender equity are all explored within the single setting of a 1950s inner city Melbourne lounge room.
WAAPA Executive Dean departs; Chamber Made CEO steps down; Perth Festival appoints next AD and Speak Percussion announces new EP.
Alana Valentine's tale of Sydney's class struggle on stage at Belvoir St Theatre.
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