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Heide Museum of Modern Art is only 20 minutes from Melbourne's CBD and boasts a unique combination of art, architecture and landscape.
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Skilfully executed, audacious and deeply personal circus from a 22-strong collective.
Artistic Directors get the media profile, but behind the scenes, other staff help to present work and wrangle the artists on show. What else do their jobs entail, and how did they get to where they are?
City of Sydney has launched a suite of grants that are all about connecting with its community – and they are willing to pay big dollars for that connection
An Executive Director and Artistic Director have been announced as the new executive team at the State Opera of South Australia.
Dozens of new plays are produced in Australia each year, the majority of them never to be seen again. What can we do to change our theatre culture?
Dance works which evoke trance and ritual appear to be enjoying a resurgence. Are they a response to our technologically-mediated world?
Inaugural patron for ASQ and new Executive Director for BREC, Melbourne Fringe, plus other appointments.
CIPMO is a new office that seeks your input into reshaping the cultural infrastructure of NSW.
Partnering with the arts is about more than just money. It’s about leadership.
Already focused on becoming an opera company for the 21st century, Victorian Opera will soon move into a new state-of-the-art facility in West Melbourne.
Classical music and arts magazine Limelight is facing closure unless a new publisher can be found, but has not yet been liquidated despite reports to the contrary.
Who's taking the reigns at Geelong Performing Arts Centre? Plus Buxton Contemporary, UNSW Art & Design, ILBIJERRI and more.
Haunting immersive theatre with comforting, humorous, thought-provoking and confronting personal responses to a Shakespearean concept.
A Victorian government grant has helped revive the small town of Girgarre through the power of music.
A personal and hilarious foray into the highly relatable rollercoaster ride of pregnancy and early parenthood.
'The body' in queer art is still a transgressive force when it comes to challenging audiences, whether it be at festivals or in gallery spaces.
Interactive theatre can be a special treat, and so much more so when it’s done well.
There is no arguing that repeated standing ovations captured the audience’s response to Opera Australia’s Carmen, which was rolled out again this week.
Drama, laughter and perhaps a strange symmetry between worlds and people who at first seem so far apart.
The proposition is that to look forward is to look back.
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