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Heide Museum of Modern Art is only 20 minutes from Melbourne's CBD and boasts a unique combination of art, architecture and landscape.
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To grow the arts outside the major capital cities, we need to grow the community’s capacity to support and sustain artists.
More divine than human…
A very passionate and personal tribute to one of the legendary pioneers of electronica.
Amanda Muggleton plays the star role as Maria Callas teaching a masterclass at New York's Juiliard in 1975.
Instead of playing film scores, should the classical music sector focus on more experiential and experimental works in order to reach new audiences?
A valiant attempt to adapt an unfilmable novel for the stage, though not always successful and occasionally actively frustrating.
Associated programming is a way to connect aspiring creatives with the wider theatre community.
Puppetry with existential angst; not for the easily offended but incredibly moving and powerful.
Matilda Awards shortlist, Indie Book Awards shortlist revealed and 2018 KYD New Critic announced.
While many arts organisations are marking a return to work this week, one is celebrating much more than just a new calendar year.
Brief’s fabulous retro-futuristic mashup of sci-fi, circus and boylesque.
Healthier work habits are needed in the theatre so that actors can leave roles behind them and avoid emotional hangovers once they're offstage.
New staff appointments at The Wheeler Centre, Queensland Poetry Festival, and Performing Lines.
A wonderful contemporary Australian reworking of the much loved classic – joyously adapted and updated.
Circus, commedia dell’arte and performance art collide in this masterwork from Australian circus company, Acrobat.
The Culture Cycle is a new series that asks whether Australia’s arts and cultural sector looks like Australia.
Steep yourself in Kenneth Slessor's Darlinghurst Nights .. absorb the atmosphere ...
Gender parity among lighting, sound and video designers is almost non-existent. A new initiative aims to change that.
Programming any new work can be a risk, given that it’s harder to market and sell the unknown. But regional audiences are embracing new Australian stories with gusto.
One of the major headline events of the Sydney Festival proves a trifle disappointing.
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