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Associated programming is a way to connect aspiring creatives with the wider theatre community.
Healthier work habits are needed in the theatre so that actors can leave roles behind them and avoid emotional hangovers once they're offstage.
Where do the boundaries lie between exploring every possibility an acting role offers and still behaving appropriately, with respect to other performers?
Programming any new work can be a risk, given that it’s harder to market and sell the unknown. But regional audiences are embracing new Australian stories with gusto.
We’ve scoured season brochures and websites for the upcoming year; here are some of the many productions and performances we advise you to note in your diary.
A culture of developing and performing home-grown Musical Theatre is building and we are moving towards more commercial productions of Australian pieces.
As the year draws to a close, we look back on some of the major news stories of 2017.
From opera and contemporary dance to comedy and drama, here are the productions that thrilled and impressed us this year.
We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2017.
How do festival directors navigate the tensions between honouring a festival’s past versus celebrating the innovative and the new?
What is intrapreneurship and how is it affecting the future of work? A panel of experts explores how organisations can change themselves from the inside out.
REMIX asked a panel of experts to explore what has become of our creative nation, and to posit the steps required to get impending changes right.
So much of our time is spent chasing audiences and funding, and thinking about metrics instead of creativity. It’s time to remember what our core business really is.
Queer art will continue to evolve, even now that we've achieved marriage equality.
Advice from the experts on creating your own culture-focused podcast, as well as suggestions as to what to listen to next.
When it comes to working with marginalised communities, good intentions mean little without sound ethics.
Is there something in the nature of the performing arts industry which creates conditions conducive to exploitation?
First Nations theatre-makers have much to teach the sector when it comes to ensuring that our rehearsal rooms are culturally safe spaces.
Arts organisations in the national capital have ambitious plans for the future, including a new theatre, as the ACT's population continues to grow.
Lack of funding and limited touring opportunities are restricting the artistic development of Australian circus, but new initiatives are set to change that.
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