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Showing all news in Features
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work for a civil society.
After almost six years as Artistic Director of Opera Queensland, Lindy Hume shares her experiences of running the AMPAG company with ArtsHub.
Audience members get to vote in courtroom dramas which pit our need for entertainment against a range of contemporary legal dilemmas.
Open access festivals like Sydney Fringe and Melbourne Fringe provide a snapshot of the current cultural zeitgeist.
Revealing the centrepiece of your program months in advance has become a common tactic, but what value do such announcements serve?
The 31 year creative partnership between Susie Dee and Patricia Cornelius shows no signs of slowing down.
The impact of an arts festival is easily diffused in a major population centre. If you want your festival to really make a splash, hold it in a small town.
In this time of Trump and Brexit, when the far right are on the rise and arts funding is more tenuous than ever, we need to make a stand.
Sometimes the music surrounding death tells us as much about the mourners as it does about the dead.
The core values hip hop include social justice, self-worth and community. Consequently it’s increasingly being used as a therapeutic tool with young people.
By being open to what’s possible, writing becomes a process of discovery, says playwright Andrew Bovell.
Contemporary Australian writing and the Australian canon should be the focus of our theatre culture, argues playwright Andrew Bovell.
Fragmenting audiences, decolonisation, and arts centres muscling in on their territory: what do the coming years hold for our arts festivals and how will they evolve?
A pervasive ideology has encouraged us to see individuals, not a society; to think of competition as natural and emphasise growth at all costs. What damage has this done to creativity?
Can mathematics help us measure what’s sublime or ineffable about a piece of music?
This month La Mama Theatre celebrates its 50th anniversary. How different would Australian culture be without it?
Commemorating 70 years of Fringe Festivals, World Fringe Day takes place on 11 July. But is the Fringe model still working?
If we want to see more culturally diverse audiences and artists, we have to develop hands on – not token – engagement with CALD communities.
As thrilling as they are for audiences, Australia’s musical theatre scene is dominated by productions honed on the West End and Broadway.
For artists focussed on inner-city audiences, the idea of touring regionally can be confronting. But are audiences any different outside the capitals?
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