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Showing all news in Opinions & Analysis
Contrary to hype around this 'MONA effect', the museum’s benefits do not seem to be being shared with Glenorchy, the municipality it is located in.
Opinions & Analysis
Artists do their best work when they feel confident to play, when they feel they are not being judged, when they are spoken to with respect.
Recent events may have left some artists questioning the validity of the Fringe model. Simon Abrahams, Creative Director/CEO of Melbourne Fringe, explains why Fringe Festivals are still an important catalyst for creativity and cultural democracy.
Esther Anatolitis offers a fiery response to a missed opportunity, saying the Arts2025 summit spiralled to a point where all focus was lost.
The full text of Wesley Enoch's keynote address at the National Play Festival 2018.
An open letter to the classical and orchestral sectors about the mistreatment of female artists.
Five years in development, plans for a Sydenham Creative Hub have been struck down, leaving artists and arts workers angry and despairing for their city's future.
Andrea Dawkins MP, the Tasmanian Greens’ Arts spokesperson, discusses the challenges and opportunities facing the state's arts and cultural sectors.
We explore the challenges facing Tasmania’s creative industries in the lead-up to the state election on Saturday 3 March.
In his 2017 Philip Parsons Lecture at Belvoir, award-winning lighting designer Nick Schlieper asks: how can we turn the anti-subsidy trend around?
If #MeToo has taught us anything, it’s that telling better women’s stories hasn’t really changed the lived experience of women, because it hasn’t really changed men.
What qualities and skills are needed by today’s aspiring songwriters with sights on the international action? It’s a lot more than just rhythm and melody.
Queensland artists are in high demand overseas. Queensland artists are also moving to southern states to survive. How to resolve this defining contradiction of culture?
The Great Australian Plays: Williamson, Hibberd and the better angels of our country’s nature.
Playwright David Finnigan describes his journey navigating the attacks on his play, Kill Climate Deniers.
If we want good arts journalism it may just be up to us as content consumers, not because of cuts and a devaluing by the media giants.
In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at.
Writer quits and pens an angry screed about the state of arts criticism: it's a familiar story, but does the latest example say more about the industry than the individuals involved?
Across the Australian jazz industry, women are disturbingly under-represented. Why, and what can be done to amend this imbalance?
Victoria’s Shadow Minister for the Arts and Culture responds to the first year of the Creative State policy and the recent State Budget.
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