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Heide Museum of Modern Art is only 20 minutes from Melbourne's CBD and boasts a unique combination of art, architecture and landscape.
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Showing all news in Opinions & Analysis
If #MeToo has taught us anything, it’s that telling better women’s stories hasn’t really changed the lived experience of women, because it hasn’t really changed men.
Opinions & Analysis
What qualities and skills are needed by today’s aspiring songwriters with sights on the international action? It’s a lot more than just rhythm and melody.
Queensland artists are in high demand overseas. Queensland artists are also moving to southern states to survive. How to resolve this defining contradiction of culture?
The Great Australian Plays: Williamson, Hibberd and the better angels of our country’s nature.
Playwright David Finnigan describes his journey navigating the attacks on his play, Kill Climate Deniers.
If we want good arts journalism it may just be up to us as content consumers, not because of cuts and a devaluing by the media giants.
In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at.
Writer quits and pens an angry screed about the state of arts criticism: it's a familiar story, but does the latest example say more about the industry than the individuals involved?
Across the Australian jazz industry, women are disturbingly under-represented. Why, and what can be done to amend this imbalance?
Victoria’s Shadow Minister for the Arts and Culture responds to the first year of the Creative State policy and the recent State Budget.
Childlessness is often regarded as a necessary sacrifice for a creative career, especially for women.
Festival audiences become part of a collective experience giving individuals a sense of community all humans need.
An Indigenous Festival director is using the psychology of hope to reframe cultural exchange.
The assumptions that makes amateur theatre an old joke are really a power play that creates a fall guy for culturally privileged professionals.
A recent report showed that Australia was at the bottom of the list when it came to business-university collaboration. The arts is turning that around.
Sure it's iconic. But there is a reason we complain about acoustics and argue over rennovation of the Sydney Opera House.
We need to rethink our physical spaces to create meaningful live experiences for the constantly connected generation.
In 2016, the most commercially successful music in the world wasn’t Beyoncé, Britney or Bieber. It was arguably more problematic.
Perhaps you’re not ready to have the intersectionality conversation with your Trump-supporting uncle. But you could share a theatre that bridges the gap.
Australia has public holidays for agricultural shows, football finals and a horse race. Why don't the arts have a public day of celebration?
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