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New CEO for Australia Council, Asia TOPA 2020 announces Executive Producer, and new CEO for Accessible Arts.
Anger across the sector as NSW Premier orders the Sydney Opera House to be used for horse racing advertisement – protested last night as lights turned on.
New CEO for SALA, new Marketing head at Bundanon, and Adelaide Fringe Ambassadors announced.
A funding boost has been added to the Small Regional Presenters program, allowing some of Victoria’s smallest towns including Bena, Mt Beauty and Meeniyan to receive funding for cultural events.
From program announcements and new Fellowships, to clearer rules for busking, here are the news stories you may have missed this week.
From going carbon neutral to axed and appointed directors, money for arts and disabilities and three years of a silo project wrapped – we summarise the week's art news.
We take a look at the top arts news stories this week.
Controversial French aristocrat Marquis De Sade’s collection of erotic illustrations are given new life by German indie publisher Goliath Books.
New Australia Council First Nations Manager, co-directorships for Aphids announced, new Exec Director for Co3, and other appointments.
Female artists lead the way in the latest Australia Council grants, with female artists receiving more than half the project funding in the latest grant round.
New CEO for Adelaide Central School of Art, TSO announce new Chief Conductor, Chamber of Arts and Culture WA appoints new Executive Director, and new Board appointments for PAC Australia.
New GM Entertainment Assist and Eureka Centre, while Barking Gecko Theatre gets a new Artistic Director.
QUT nabs US media scholar, Next Wave gets new Director/CEO, Lifetime Patrons for MTC, New Chair at La Mama, and more.
Both Chunky Move and Expressions Dance Company's ADs step down, Board changes for Opera Queensland, new Artist Assoc for Australian Art Orchestra, and more.
ArtsHub speaks with some of the winners of this year’s Creative Partnership Awards about the value of philanthropy, and the challenges that private giving still faces in Australia.
New Patron for QL2; a marketing manager for Yirra Yaakin; new dancers at WA Ballet and Head of Private Sales at Michael Reid Gallery.
The opportunity to explore cultural connections goes well beyond the sharing of art – it connects with cultural values; our relationship with the land and with people.
An invisible theatre work by artist Jema Stellato Pledger explores diversity, identity and the line between performing and becoming.
Creative ageing is a two-fold problem: the crisis of our artists ageing into poverty, and the lack of sustainability in training and programs as a broader public ages creatively.
Artshub takes a look at how the rise of cultural tourism is trickling into regional Australia and towards bespoke individual offerings, with the revised thinking as "creative tourism".
As arts funding becomes harder to obtain, the role of philanthropy in supporting the creative developments of more challenging projects becomes increasingly important.
A recent panel discussion at Sydney Contemporary unpacked the ideas around how the performed body can either uphold or defy systems of oppression and identity.
Opera is not an art form that often makes it inside the primary school classroom. Livestreaming can reach students in areas of the country where touring is almost impossible.
Claiming a formerly safe Liberal seat will create greater visibility for art and culture. The Arts Party head to the Wentworth by-election with the message: use your preferential vote.
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia.
Roadies are responsible for getting touring bands on and off stage, and around the country. They’re also at much greater risk of suicide than the general population. Stuart Coupe reports.
Anni Davey joined the Flying Fruit Fly Circus as its new Artistic Director in July. She reflects on a mid-career shift from freelance director to the artistic leadership of a nationally treasured youth circus.
Too often conversations around the careers of artists can get lost in the abstract. To counter that, Queensland Theatre Artistic Director Sam Strong gets practical.
More Opinions and Analysis
Snapshot reviews of this year’s Melbourne International Arts Festival.
The newest production of the world-wide musical sensation Mamma Mia has landed in Adelaide after a year long tour around Australia.
Melissa Reeves has crafted a play that speaks to modern concerns which are depressingly similar to 1882.
Presented by Sharmill films, this filmed version of a theatrical production of An Ideal Husband comes to us via London’s Vaudeville Theatre.
Isabel Hertaeg is terrific in a production perfect for opera fans and those new to the artform alike.
Flawlessly combining the classic with the contemporary in a rousing and memorable performance. As good as opera can get
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