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ArtsHub speaks with some of the winners of this year’s Creative Partnership Awards about the value of philanthropy, and the challenges that private giving still faces in Australia.
New Patron for QL2; a marketing manager for Yirra Yaakin; new dancers at WA Ballet and Head of Private Sales at Michael Reid Gallery.
Winner of the 2018 Holding Redlich People’s Choice Award announced, Kibble and Dobbie Award winners revealed, IPWEA Victoria honours The City of Stonnington, and more.
Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.
In the wake of what is being described as the poorest funding round in Australia’s history, the sector asks why.
MAAS Director and SBS presenter resign, New Director for Art Gallery SA, Create NSW, APAM Victoria, and Circa. Chair appointments for David Roche Foundation, Craft Victoria, and more.
Respected arts leader and executive producer Catherine Jones has been appointed Director of the Australian Performing Arts Market, which relocates to VIC from 2020.
New executives at QLD Symphony Orchestra, Multicultural Arts VIC and Australian Festival of Chamber Music, plus changes at ATYP, Pantera, Small Press Network and more.
A Melbourne couple’s house, left as a bequest to Monash University, sold for $1.91 million at auction; the money will create scholarships for disadvantaged jazz and architecture students.
Sydney Theatre Company took home 10 awards, and Bangarra seven – including the award for Best New Australian Work – at this year's awards ceremony, split across two nights.
New position appointments for Gertrude Contemporary, Heide Museum of Modern Art, Asialink, Melbourne Youth Orchestra, TasDance and more.
Minister Fifield’s office has announced over $100,000 to support growing cultural links with Singapore, across four key projects.
The actor has cited ‘current circumstances and medical advice’ as his reasons for leaving a production of Twelfth Night, which was due to open in November.
"Because of Her, We Can!" is the theme of this year's NAIDOC week. We take a look at events being held across the nation, and offer a short list of must sees.
'I did it because I was upset that vaccines caused the killers autism,' conspiracy theorist Andrew 'Andy' Nolch has claimed on Facebook.
Playwriting Australia announces its new Artistic Director and CEO; MIFF appoints Artistic Director, plus a new Director for NERAM and The Stella Prize, and more.
Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society on its own terms?
With dozens, sometimes hundreds of choices, navigating an arts festival program can be overwhelming. Arts industry figures offer their tips for making the most of the smorgasbord without getting indigestion.
The annual Australian invasion of Edinburgh is about to begin. What attracts them in such numbers? And with over 130 Australian shows to choose from, which should you see?
Andrée Greenwell releases new song collection in response to gendered violence debate.
A short documentary by filmmaker, Vonne Patiag, explores the experiences of actors of colour and how they feel about their physical representation on screen.
How does the lack of a Fringe Festival impact on a city’s cultural ecology: is its absence actually a positive for independent artists?
Too often conversations around the careers of artists can get lost in the abstract. To counter that, Queensland Theatre Artistic Director Sam Strong gets practical.
Revolution or evolution? With a survey of the Major Performing Arts Framework underway, AMPAG's Chair, Deputy Chair and Executive Director argue the case for evolving the current framework.
Support, connection, self-trust and being truly heard: for young people in Launceston, Stompin is far more than just a youth dance company.
The majority of the Major Performing Arts companies offer up 'a cocktail of timidity, mediocrity, heritage, and tourist arts’, said Big hART's Scott Rankin. He has called for a bold reinvention of the MPA framework.
What can be done to stop performers falling through the gaps between tax, superannuation and social security systems?
Gender, ethnicity, orientation, age, shape, ability – everything that defines a character can be dictated by the playwright. It's time playwrights became proactive about writing diverse characters.
More Opinions and Analysis
Featuring a cast of 40 and the work of seven choreographers, In Your Blood finds the sweet spot between sport and art, where personal passions and family loyalties meet.
Further reflections and critical responses to events programmed as part of the 2018 Darwin Festival.
Chemistry can make or break a play – here, thankfully, they nailed it.
This confined, vociferous drama works wonderfully, despite trimming away the bulk of Melville's novel save for the few spare segments that are action-oriented.
An excellent recital performed under difficult circumstances.
Loads of fun.
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