Is confirmation bias holding your organisation back? Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: I'm Not Running, National Theatre Live David Hare's latest is flat and disappointing. Review: Sydney Symphony Orchestra – Bartók’s Concerto for Orchestra A disappointing commission and two flavourless readings of colourful and dynamic works opens the SSO’s 2019 Masters Series. Review: King Arthur: Gabrieli Consort & Players It is a rare treat to see one of Europe’s most highly regarded ensembles performing in the intimate setting of Adelaide’s historic Elder Hall. The performing arts academy where participation is a part of life At WAAPA, students don’t just learn; they perform in an eclectic array of concerts and performances throughout the year, alongside some of the finest artists in the world. (Premium content) Premium content Gina Fairley Monday 2 July, 2018 Simply, perception is deception. ArtsHub takes a look at how to get past the hurdle of confirmation bias and arm yourself with better data recovery skills. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Image shutterstock.com Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.