Creative fundraising in the regions: how you do it Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Sunset, Perth Festival The ramshackle rooms of a former home for elderly and destitute men become the site of a new dance work by STRUT in collaboration with Punchdrunk's Maxine Doyle and collaborators. Review: Death of a Salesman, Queensland Theatre Seventy years after its first Broadway opening, Arthur Miller’s timeless tragedy returns to Brisbane in a respectful production. Review: Peter Pan Goes Wrong, Sydney Lyric Theatre Another production where almost everything that could go wrong does. From the team that brought us The Play That Goes Wrong comes the next exciting installment – Peter Pan Goes Wrong. Review: Swan Lake/Loch na hEala, Perth Festival Small, quiet moment of poetry shine in this world of darkness, tragedy and many, many feathers. (Premium content) Premium content Gina Fairley Monday 26 November, 2018 A panel of experts offers five lessons in leveraging your networks and finding alternative funding streams in order to grow sustainability in regional arts. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Image via Shutterstock Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.