How important is a fixed address to creative survival? Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Strengthening the status of the artist NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia. Off the road: why Australian roadies are at breaking point Roadies are responsible for getting touring bands on and off stage, and around the country. They’re also at much greater risk of suicide than the general population. Stuart Coupe reports. How philanthropy is encouraging creative risk-taking behind the scenes As arts funding becomes harder to obtain, the role of philanthropy in supporting the creative developments of more challenging projects becomes increasingly important. Review: 19 Weeks, Melbourne Fringe A courageous and necessary autobiographical work that takes a look at human fragility, vulnerability and the taboo of abortion. (Premium content) Premium content Jo Pickup Tuesday 1 May, 2018 Independent artists and small arts organisations talk about the allure of bricks and mortar versus the flexibility of working nomadically . This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Image via Shutterstock Member login Email address Password Forgot password? About the author Jo Pickup is an arts writer & manager based in Perth. She has worked as a journalist and broadcaster for media such as the ABC, RTRFM and The West Australian Newspaper, contributing media content and commentary on art, culture and design. She has also worked for WA arts organisations such as Fremantle Arts Centre and STRUT dance, in roles such as Producer, Program Manager & Communications Manager.