Sex sells, but does it sound good? Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Enright on the Night, Genesian Theatre Perfectly placed, this production was performed at the intimate Genesian Theatre, where in the early 1970s a young actor called Nick Enright began working and performing. $80,000 federal funding for theatre’s 50th anniversary The 50th anniversary of the SBW Stables Theatre in Kings Cross has been supported with a federal grant to Griffin Theatre Company, which calls the Stables home. Review: West Side Story, Opera on the Harbour More aptly "wet" side story, the show on the harbour opened, but it was a lost opportunity as a classic line was favoured over a more contemporary. Review: State Opera South Australia Carmen in the Square A touch of Seville in Adelaide’s Victoria Square from State Opera South Australia. (Premium content) Premium content Maxim Boon Friday 10 August, 2018 Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society on its own terms? This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Image via www.xavierdemaistre.com Member login Email address Password Forgot password? About the author Maxim Boon is a British-born composer, producer, commentator, critic and arts writer based in Melbourne. He is the National Senior Editor and Arts and Culture Editor of The Music and formerly the Online Editor of Limelight Magazine. He is a contributor to several national and local titles including The Age, Time Out, The Guardian, Daily Review, Audrey Journal and ArtsHub.