Sex sells, but does it sound good? Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: The Gruffalo's Child, Athenaeum Theatre The set design for The Gruffalo's Child is very simple but effective. There’s also lots of participation required from the kids including calling out, singing and dancing. Review: Sydney Dance Company’s PPY18 Revealed In 2018 we see Sydney Dance Company’s 23 graduates in this thrilling programme, which was an exciting mix of five short works. British Council’s ambitious stride forward through inclusivity A year in as Country Director, ArtsHub speaks with British Council’s Helen Salmon about this year’s wins, and a more understanding future through greater cultural collaboration in 2019. What happens when a small community loses its arts coverage? The decision by Hobart's The Mercury to axe all theatre, dance, and music criticism in its pages has alarmed the city's arts sector. (Premium content) Premium content Maxim Boon Friday 10 August, 2018 Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society on its own terms? This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Image via www.xavierdemaistre.com Member login Email address Password Forgot password? About the author Maxim Boon is a British-born composer, producer, commentator, critic and arts writer based in Melbourne. He is the National Senior Editor and Arts and Culture Editor of The Music and formerly the Online Editor of Limelight Magazine. He is a contributor to several national and local titles including The Age, Time Out, The Guardian, Daily Review, Audrey Journal and ArtsHub.