Sex sells, but does it sound good? Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Prize Fighter, Song for a Weary Throat, Frogman, MIAF Snapshot reviews of this year’s Melbourne International Arts Festival. Review: Mamma Mia The Musical, Adelaide Festival Centre The newest production of the world-wide musical sensation Mamma Mia has landed in Adelaide after a year long tour around Australia. Livestreaming opera into the future Opera is not an art form that often makes it inside the primary school classroom. Livestreaming can reach students in areas of the country where touring is almost impossible. Review: An Enemy of the People, Belvoir Melissa Reeves has crafted a play that speaks to modern concerns which are depressingly similar to 1882. (Premium content) Premium content Maxim Boon Friday 10 August, 2018 Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society on its own terms? This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Image via www.xavierdemaistre.com Member login Email address Password Forgot password? About the author Maxim Boon is a British-born composer, producer, commentator, critic and arts writer based in Melbourne. He is the National Senior Editor and Arts and Culture Editor of The Music and formerly the Online Editor of Limelight Magazine. He is a contributor to several national and local titles including The Age, Time Out, The Guardian, Daily Review, Audrey Journal and ArtsHub.