Going it alone: the art of the solo

Creating a one-woman or one-man show, whether in dance or theatre, is a significant undertaking.
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Gerard Van Dyck’s Picnic. Photo by Jeff Busby. 

For all the grandeur of working with a symphony orchestra, a large acting troupe or a major dance ensemble, there’s something about the intimacy of a solo performance that’s hard to be beat. The audience’s attention becomes fixed on a single artist, whether for a brief moment in time or the duration of the work, resulting in an often sublime experience that cuts to the heart of why we love the performing arts.

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Richard Watts is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM, and serves as the Chair of La Mama Theatre's volunteer Committee of Management. Richard is a life member of the Melbourne Queer Film Festival, and was awarded the status of Melbourne Fringe Living Legend in 2017. In 2020 he was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize. Most recently, Richard was presented with a Lifetime Achievement Award by the Green Room Awards Association in June 2021. Follow him on Twitter: @richardthewatts