The Sydney Opera House is not a billboard – sector speaks out Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Ausdance cancels 2019 Australian Dance Awards After 21 years, a reduction in government funding has forced Ausdance National to put the Australian Dance Awards on hold. Matilda Awards presented in Brisbane and Green Room nominations announced Sector members in Brisbane and Melbourne are celebrating following the presentation of the Matilda Awards on Monday night and the announcement of Green Room Awards nominations on Tuesday. Review: Lé Nør [The Rain], The Last Great Hunt, Perth Festival The Last Great Hunt unite their diverse skills and passions in a larger than life celebration of arthouse cinema, filmed and performed live in the theatre. Review: Rest, WA Youth Theatre Company, FRINGE WORLD A haunting encounter with our collective humanity, staged among the tombs and gravestones of East Perth Cemetery. (Premium content) Premium content Gina Fairley Monday 8 October, 2018 Anger across the sector as NSW Premier orders the Sydney Opera House to be used for horse racing advertisement – protested last night as lights turned on. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Artist impression of Racing NSW submission to use the sails of Sydney Opera House for sport event advertising Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.