‘An exceptional moment’

The upcoming Festival of Live Art represents an unprecedented opportunity for Australian artists.
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Image: James Berlyn’s Tawdry Heartburn’s Manic Cures at FOLA 

‘There’s a little bit of a sense that Live Art is a new practice in Australia, whereas in fact Australia has a deep and incredibly highly regarded history of Live Art practice,’ said performance artist, maker and curator Leisa Shelton.

‘When you speak with practitioners in Europe, they can name more Australian artists who have been well regarded in this field from the late 70s, 80s, 90s and even now, than probably a lot of Australian artists might be able to do at this point, because they saw the work. And a lot of current Live Art practice is getting more performance work in the UK and Europe than in Australia; a lot of key artists in the field in Australia are all working overseas in international festivals around Europe, and there just hasn’t been the equivalent here,’ she explained.

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Richard Watts is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM, and serves as the Chair of La Mama Theatre's volunteer Committee of Management. Richard is a life member of the Melbourne Queer Film Festival, and was awarded the status of Melbourne Fringe Living Legend in 2017. In 2020 he was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize. Most recently, Richard was presented with a Lifetime Achievement Award by the Green Room Awards Association in June 2021. Follow him on Twitter: @richardthewatts