Don’t ban Michael Jackson’s music – talk about the accusations Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Holloway’s final Melbourne International Arts Festival dances with the truth Exploring the nature of truth in an age of fake news, and with a particular focus on dance – including three of Melbourne’s leading choreographers – MIAF 2019 promises to tantalise and provoke. Review: My Urrwai, Queensland Performing Arts Centre (QLD) A genre-bending show that explores the narrative of colonialism, culture and connection with humour. ICYMI: rounding up the week’s arts news Next M Pavilion design unveiled, Melbourne Art Fair shifts gears again, NSW Shadow Arts Minister warns not to overlook Australian talent, and more arts news. Review: Kinky Boots, The Q (Queanbeyan, NSW) Free-Rain Theatre Company’s production captures the joy of the Broadway musical. (Premium content) Premium content Catherine Strong Wednesday 13 March, 2019 Is banning the music of artists accused of reprehensible behaviour the best course of action? Why single out Jackson for this treatment, given the apparent scale of abuse in the music industries? This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today The two faces of Michael Jackson, before and after repeated plastic surgeries. Image via YouTube. Member login Email address Password Forgot password? About the author Catherine has a PhD in Sociology from the Australian National University. Her thesis looked at grunge music and collective memory, and has since been published as Grunge: Music and Memory with Ashgate (2011). She has published on the gendered aspects of popular culture, and has also done research on the women's movement in Australia. Her current research is on cultural memory and gender in Australian popular music. She is currently the Chair of the Australia-New Zealand branch of the International Association for the Study of Popular Music, and is a member of The Australian Sociological Association (TASA). Her most recent book is the edited collection Death and the Rock Star (with Barbara Lebrun, Ashgate 2015).