Don’t ban Michael Jackson’s music – talk about the accusations Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Made to Measure, Seymour Centre (NSW) Alana Valentine’s new play is a thought-provoking exploration of fatphobia with a snappy, moving script. Hamilton to open in Sydney in 2021 The mega-hit musical by Lin-Manuel Miranda will make its Australian premiere at the Sydney Lyric Theatre in March 2021. Introducing David Shirley – WAAPA’s new Director Describing himself as having ‘a passion for pedagogy,’ Professor David Shirley is keen to promote WAAPA on the world stage by promoting the extraordinary training opportunities it offers. Why 'suburban' is no longer a dirty word The evolution of our cities has resulted in the rise of arts centres in the very same suburbs that artists were once desperate to escape. (Premium content) Premium content Catherine Strong Wednesday 13 March, 2019 Is banning the music of artists accused of reprehensible behaviour the best course of action? Why single out Jackson for this treatment, given the apparent scale of abuse in the music industries? This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today The two faces of Michael Jackson, before and after repeated plastic surgeries. Image via YouTube. Member login Email address Password Forgot password? About the author Catherine has a PhD in Sociology from the Australian National University. Her thesis looked at grunge music and collective memory, and has since been published as Grunge: Music and Memory with Ashgate (2011). She has published on the gendered aspects of popular culture, and has also done research on the women's movement in Australia. Her current research is on cultural memory and gender in Australian popular music. She is currently the Chair of the Australia-New Zealand branch of the International Association for the Study of Popular Music, and is a member of The Australian Sociological Association (TASA). Her most recent book is the edited collection Death and the Rock Star (with Barbara Lebrun, Ashgate 2015).