Reframing MPA funding so that the whole sector is in the picture Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Almost, Maine, Meat Market Stables (VIC) A lightness of touch from Between The Buildings does great justice to playwright John Cariani’s vision. Review: Only the Penitent Shall Pass, Rosny Farm (TAS) Swiss dancer Nicole Morel delivers tactile engagement with Andrew Hustwaite’s installation. Review: The Return of Ulysses, Pinchgut Opera (NSW) Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera. Review: Things I Know To Be True, Belvoir Theatre (NSW) An amusing family drama by Andrew Bovell that shows the cracks in picture-perfect Australian suburbia. (Premium content) Premium content Esther Anatolitis Tuesday 30 October, 2018 Important questions about ambition and fairness are being asked as part of the review of the Major Performing Arts Framework. It's vital that all artists and arts workers have their say. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Image: Shutterstock Member login Email address Password Forgot password? About the author Esther Anatolitis is Executive Director of NAVA and Deputy Chair of Contemporary Arts Precincts.