Reframing MPA funding so that the whole sector is in the picture Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: The Overcoat, Downstairs Theatre Aspirations, egos, classes and tones all clash in The Overcoat – a title as innocuous as it is tragic. Review: MSO – Beethoven 5, Hamer Hall A famous performance of classical music’s most famous composition. Review: Rock Bang, Malthouse Theatre This show rocks and bangs but first of all, let’s get this straight: this is not your average circus, this is a rock opera fusion circus. Review: The Nutcracker, His Majesty's Theatre Carina Roberts as Clara and Claire Voss as the Snow Queen and Sugar Plum Fairy were as light on their feet as fairy floss. (Premium content) Premium content Esther Anatolitis Tuesday 30 October, 2018 Important questions about ambition and fairness are being asked as part of the review of the Major Performing Arts Framework. It's vital that all artists and arts workers have their say. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Image: Shutterstock Member login Email address Password Forgot password? About the author Esther Anatolitis is Executive Director of NAVA and Deputy Chair of Contemporary Arts Precincts.