Livestreaming opera into the future Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Almost, Maine, Meat Market Stables (VIC) A lightness of touch from Between The Buildings does great justice to playwright John Cariani’s vision. Review: Only the Penitent Shall Pass, Rosny Farm (TAS) Swiss dancer Nicole Morel delivers tactile engagement with Andrew Hustwaite’s installation. Review: The Return of Ulysses, Pinchgut Opera (NSW) Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera. Review: Things I Know To Be True, Belvoir Theatre (NSW) An amusing family drama by Andrew Bovell that shows the cracks in picture-perfect Australian suburbia. (Premium content) Premium content Ioanna Salmanidis Monday 15 October, 2018 Opera is not an art form that often makes it inside the primary school classroom. Livestreaming can reach students in areas of the country where touring is almost impossible. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Victorian Opera's 2018 production Hansel and Gretel. Photo credit: Charlie Kinross. Member login Email address Password Forgot password? About the author Ioanna Salmanidis is Victorian Opera’s Education Officer. She studied classical piano and later completed a Master of Arts and Cultural Management at the University of Melbourne. Ioanna is passionate about increasing children’s access to music through education.