What Rhymes with Cars and Girls

Based on Tim Rogers’ first solo album, this hybrid theatre production breathes new life into tired boy-meets-girl clichés.
What Rhymes with Cars and Girls

Photo: Jeff Busby

Weaving together the songs from You Am I frontman Tim Rogers’ first solo album with a poetic script by playwright Aidan Fennessy, What Rhymes with Cars and Girls is a fresh and engaging take – with a distinctly Australian flavour – on the classic boy-meets-girl, boy-loses-girl story.

Johnno (Johnny Carr) is a 20-something pizza delivery driver living in Sydney’s western suburbs - ‘on the wrong side of Separation Street’ – with his chronically ill father. The love of Johnno’s life is a rusting V8 that he’s slowly restoring – but then he meets Tash (Sophie Ross), a free spirit who has run away from the pressures and routines of her privileged North Shore Sydney background to eke out a living as a musician.

ADVERTISEMENT

At a gig, and later in the spreading arms of a Moreton Bay Fig, the pair swap stories, sing, and fall in love. But over the following months, as they try to adjust their lives to make their disparate backgrounds mesh and establish new routines, tensions flare:

‘Art house movies and flat renovations
Newspaper politic and dinner reservations, oh
And Monday's a wine appreciation course
Talk about the drugs that you just won’t touch no more
What a breeze; just help me off my knees.’

As Johnno, Carr is charismatic and charming, with a fine singing voice, while Ross – who has the greater challenge of playing a character who is hiding behind a mask when we first meet her – brings the perfect mix of cheek and insecurity to the stage. Her singing, likewise, is excellent – as is the relaxed and playful chemistry between the pair; on opening night it was easy to envisage them as lovers.

In this they’re helped by fine performances by the three piece band, led by Rogers himself on guitar (his presence adding a delicious level of meta-theatricality to proceedings when Johnno demands to know why Tash’s band aren’t famous) together with The Twoks’ violinist/frontwoman Xani Kolac and bassist Ben Franz.

Rogers’ folk-infused rock songs, by turns wistful, playful, cynical and reflective, generally work well, with one exception: ‘You Just Don't Do It For Me, Friend’ feels slightly out of place in the narrative. Similarly, the poetic inclinations of Fennessy’s vernacular script feel a trifle forced on one or two occasions, though never enough to mar proceedings.

Other production elements – Andrew Bailey’s pitch-perfect recording studio set, compete with empty wine and beer bottles and discarded board games tucked out of view; Richard Vabre’s subtle, beautiful lighting; and Russell Goldsmith’s occasionally ominous sound design – are considered and precise.

Director Clare Watson makes her MTC mainstage debut with What Rhymes with Cars and Girls, and brings great control to proceedings, skilfully uniting its various elements and coaxing carefully physicalised performances out of her two actors. Watson is a director who clearly knows the virtue of delaying a kiss to the right moment to generate the greatest emotional impact, and when to place actors on opposite sides of the stage to foreshadow emotional tensions to come; coupled with skilled performances from actors and musicians alike, the resulting production packs a considerable emotional punch.

Like any genre piece working with familiar plot elements, the strengths of What Rhymes with Cars and Girls are not so much the story that Fennessy, Rogers, Watson and collaborators tell, but how it’s told. In this case, the interlinking of songs and story add a fresh element to the production, resulting in a lively hybrid that’s neither straight play nor traditional musical, and all the stronger for its points of difference. After the lacklustre season opener, Jumpy, it's a delight to see the MTC taking risks with a new Australian work of this nature.

Rating: 3 ½ stars out of 5

Melbourne Theatre Company presents
What Rhymes with Cars and Girls
By Aidan Fennessy
Music and lyrics by Tim Rogers
Director: Clare Watson
Musical Director: Tim Rogers
Set Designer: Andrew Bailey
Costume designer: Kate Davis
Lighting Designer: Richard Vabre
Sound Designer: Russell Goldsmith
Cast: Johnny Carr and Sophie Ross
Band: Tim Rogers, Ben Franz and Xani Kolac

Fairfax Studio, Arts Centre Melbourne
13 February – 28 March 2015


No image supplied

Richard Watts

Sunday 22 February, 2015

About the author

Richard Watts is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on community radio station Three Triple R FM, a program he has hosted since 2004.

Richard currently serves as the Chair of La Mama Theatre's volunteer Committee of Management, and is also a former Chair of Melbourne Fringe. The founder of the Emerging Writers' Festival, he has also served as President of the Green Room Awards Association and as a member of the Green Room's Independent Theatre panel. 

Richard is a life member of the Melbourne Queer Film Festival, and was awarded the status of Melbourne Fringe Festival Living Legend in 2017. Most recently he was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize for 2019.

Twitter: @richardthewatts