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Claiming a formerly safe Liberal seat will create greater visibility for art and culture. The Arts Party head to the Wentworth by-election with the message: use your preferential vote.
Opinions & Analysis
Anger across the sector as NSW Premier orders the Sydney Opera House to be used for horse racing advertisement – protested last night as lights turned on.
New CEO for SALA, new Marketing head at Bundanon, and Adelaide Fringe Ambassadors announced.
From program announcements and new Fellowships, to clearer rules for busking, here are the news stories you may have missed this week.
New CEO for Australia Council, Asia TOPA 2020 announces Executive Producer, and new CEO for Accessible Arts.
An invisible theatre work by artist Jema Stellato Pledger explores diversity, identity and the line between performing and becoming.
A play about assisted dying is standard MTC fare. Johnny Carr shines.
A funding boost has been added to the Small Regional Presenters program, allowing some of Victoria’s smallest towns including Bena, Mt Beauty and Meeniyan to receive funding for cultural events.
The opportunity to explore cultural connections goes well beyond the sharing of art – it connects with cultural values; our relationship with the land and with people.
Wales-based NoFit State's circus show, Lexicon, opens with ruckus as spit balls are thrown about and the class runs amok.
Isabel Hertaeg is terrific in a production perfect for opera fans and those new to the artform alike.
A joyous celebration of community; a warmhearted and generous theatrical production; a clarion call about the necessity of maintaining culture.
The show is beautiful and there wasn’t a child there who didn’t seem to enjoy the performance.
Performance art, installation, spoken word, expressive dance and the thrill of aerial acrobatic circus made this a night to remember.
Opera is not an art form that often makes it inside the primary school classroom. Livestreaming can reach students in areas of the country where touring is almost impossible.
Flawlessly combining the classic with the contemporary in a rousing and memorable performance. As good as opera can get
Presented by Sharmill films, this filmed version of a theatrical production of An Ideal Husband comes to us via London’s Vaudeville Theatre.
Melissa Reeves has crafted a play that speaks to modern concerns which are depressingly similar to 1882.
A masterful work, combining confronting terror with gentle romanticism, and the music stays in your head for days after the show has ended.
Snapshot reviews of this year’s Melbourne International Arts Festival.
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