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Showing all Performing Arts news in Reviews
Initially lulling its audiences into complacency, Erika Sheffer’s Russian Transport is a disturbing production that's well worth sticking with.
Mulvany is superb in this one woman show.
Tasmania’s biennial Ten Days on the Island is the only ‘whole of state’ arts and cultural festival in Australia; Kath Melbourne immerses herself in the program over three successive weekends.
Bizet’s opera reimagined with a contemporary flamenco flare and an emphatic declaration of freedom.
This show delivers up what Monty Python fans are likely hoping it will, and also stands on its own as a great musical experience for patrons not familiar with the Python oeuvre.
With the potential to become something of a cult-classic, People Suck does well to deliver an entertaining piece of theatre.
Magnificent, moody Mozart from the brilliant players of the Mahler Chamber Orchestra.
Oscar, Emmy, Tony and Golden Star winning actress Ellen Burstyn makes her Australian stage debut, a centrepiece of the show whose ensemble cast is equally adept at holding up the scaffolding.
The world premiere of Ron Elisha’s Unsolicited Male brings the #metoo movement to the workplace.
Smooth, cool and gracious, one of the best ensembles of its kind.
An awkward feminist production focused on the objectification of women that attempts to ‘turn the coin’ on Oscar Wilde’s misogynistic play.
Silkroad Ensemble, founded 20 years ago by acclaimed cellist, Yo-Yo Ma, comprises an ever-evolving group of amazing musicians.
An acting tour-de-force from Brian Meegan and Kate Raison as they take on 14 characters.
Romeo and Juliet has been radically re-set in all manner of eras and communities, but this production’s simple shift of the Capulet family being of Subcontinental heritage has a significant impact without any textual clash.
As part of The Butterfly Club's inaugural 1 Act Play Festival, this play is a series of semi-autobiographical vignettes from Arendelle’s lived-experiences in a world where she is held to relentless scrutiny because of her body size.
A marvellous production of an epic, exhilarating and deeply moving play.
Barrie Kosky’s fantasy Flute is an Adelaide Festival highlight.
A striking and most unusual blend of cutting edge contemporary dance and music.
Virtuosic dance meets playful yet pointed critique of machismo in this engaging but sometimes problematic Argentinean production.
One of Australia’s most exciting circus companies finds the sweet spot between the intimacy and ambition of previous works, resulting in an outstanding new production.
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