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Showing all Performing Arts news in Reviews
Omar Musa weaves words and rhythms into a seamless story of boyhood, defiance, and faith.
Intelligent, beautiful singing and playing from masters of their craft, Nicole Car, Étienne Dupuis and Jayson Gillham.
Belvoir’s fresh and captivating production transposes Brecht’s play to a contemporary setting that wrestles with climate change and our place in the universe.
Six acts look at the problem of single-use plastic from different angles.
Kate Mulvany and Anne-Louise Sarks’s reimagining of the Greek tragedy turns its eye to Medea’s young sons.
The Poe-inspired immersive adventure is more campy than creepy – and it’s all the better for it.
Iron Lung’s all-female production foregrounds Marsha Norman’s taut script and impressive performances from the cast.
Dancenorth’s vibrant collaboration combines a dance troupe with 100 drums.
Lab Theatre’s two-hander explores strained and hollowed-out domesticity.
Devised by people experiencing homelessness, this immersive experience reveals the Orwellian dimensions of social services.
Slingsby Theatre Company’s adaptation of Oscar Wilde takes small audiences on a rich journey.
SSO’s concert performance of Britten’s opera brought out the best of the best – so where was the audience?
Hayley Lawson-Smith’s retelling of the Nativity is meandering and frustrating.
A right royal display of piquant La Réjouissance.
With electric choreography and polished performances all around, this musical is one to catch.
A poetic and hilarious two-hander that challenges reductive ideas of femininity and religion.
I have never heard the Sydney Opera House organ sounding better.
Schubert’s masterful Symphony No.9 was a highlight of a challenging Queensland Symphony Orchestra program.
Five performers offered distinctive, poignant takes on womanhood on a cosy winter night.
Bell Shakespeare’s new production is a uniquely Australian interpretation with something profound to say.
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