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Showing all Performing Arts news in Opinions & Analysis
An industry response to the omission of Best Production for Children and Best Production for Young People from the 2020 Sydney Theatre Awards.
Opinions & Analysis
If a sustainable arts practice were a meal what ingredients would it need? Dancer and choreographer Alison Plevey thinks arts practice can be a hearty lasagne, a rich comfort food that keeps you going.
At the recent Theatre Network NSW's State of the Sector conference Antonia Seymour argued for a not just funding but a more supportive culture around the arts.
The fourth edition of the biennial regional festival Cementa has just wrapped up, but for a post-industrial town the event misses its context and struggles to include residents.
Has the internet damaged arts criticism beyond repair? In her new Platform Paper, Alison Croggon argues that the web has oversimplified cultural discussion and chased clicks over critiques.
Far from political correctness being the arch enemy of comedy, comedian and beloved rabblerouser Tim Ferguson believes that neither could exist without the other.
Addressing the climate emergency and improving relationships with Indigenous Australians and Pacific Islanders means building people-to-people exchange, according to our new British High Commissioner.
When actor Neil Pigot found himself diagnosed with depression he denied the diagnosis and tried to go on. With that ‘regrettable decision’ he prolonged his recovery and made it harder to find a way out.
Arts and wellness educator Molly W. Schenck talks about how to have tough conversations in art without traumatising collaborators.
With 2020 shaping up as a stellar year for Australian performance, Alison Croggon picks her highlights from reimagined icons, thrilling casting and all the tickets to sell your grandmother for.
Young delegates faced the pressing issues of our time at this year's National Youth Arts Summit.
There’s been a lot of talk about the need for an institution dedicated to First Nations performing arts. Carissa Lee argues that such an institution could segregate our culture and support the ‘doom narratives’ of the past.
Being an ally means being prepared to do the difficult work towards structural change.
Adelaide dance lecturer Dr Jeff Meiners remembers Ausdance National's many initiatives for Indigenous dance.
Artists with disability believe it is their right to be reviewed in the same way as abled artists; that the narrative should come from the quality of their work, not their disability.
Executive Director Shaun Comerford says the company’s extraordinary growth is underpinned by one important adage: the art comes first.
As Ausdance National closes, Colm O’Callaghan reflects on the National Dance Forum, contemplating Indigenous practice and investigating future advocacy.
From cutting edge performance to timeless Aboriginal art, here are ArtsHub’s picks from the Darwin Festival program.
Looking for bigger audiences and permanence for dance experiences led Sue Healey to film as a way of capturing the experience.
Fight director, actor, critic and dramaturge Dr Danielle Rosvally starts all her theatre students off with one simple lesson which begins with critical skills in the car park.
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