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Showing all Performing Arts news in Opinions & Analysis
'Massive, unjustified, poorly researched and based on a remote and disconnected economic ideology of unusually destructive force.' That's what the Copyright Agency thinks of the Productivity Commission's draft copyright proposals.
Opinions & Analysis
Veteran actor Keith Robinson returns to the stage after a ten year recovery from a severely disabling variant of Guillain-Barre Syndrome.
Struggle is the essence of drama proposes playwright Michael Gow in his keynote address at the National Play Festival 2016.
Indigenous Arts needs its own peak bodies to enable specific outcomes to the Indigenous sector that the mainstream arts cannot deliver.
A new survey shows that only five per cent of artist publishing their work online receive copyright royalties.
The Australian Major Performing Arts Group calls for Australia Council’s funding to be returned to 2013-2014 levels.
A tour of European opera companies reveals the roadblocks Australians still face.
The numbers show that we need to find better systems for reading museum attendance and engagement.
Getting a new music theatre production to the stage is like reversing a battleship into a car park, but it can be done.
Arts organisations need to adjust their thinking to engage a booming population with time and energy to live a rich, extended middle age.
Designers are often misunderstood as mere window dressers instead of meaning-makers intrinsic to creative process.
Legal ticket reselling at unfair prices is just bad old-fashioned scalping under a new name.
Local writers and productions beyond the comfortable Eastern Suburbs are glaringly absent in tonight's award nominations.
An Australian Charter for the Arts has been proposed in the wake of last year’s government cuts to the arts. It could be the voice you need.
Opera Australia is not really a national company. It should become the State Opera of NSW and support should be spread equitably among all of the state opera companies.
Six months of battles spurred by the May budget cuts to the Australia Council, the NPEA and now Catalyst have transformed the Australian arts scene.
A top public servant says Australia Council nominated the figure of $8 million as the amount needed to save small-to-mediums. But that doesn't square with AusCo's accounts.
Poetry slams needs to decide if they want to be propaganda machines, sheltered workshops, friendly performance outlets or competitive art form.
Orchestras and opera companies complain audiences don’t want new repertoire but an audience for new music can be built.
Asking for copyright for photographs you paid for sounds like a savvy move but it may not provide value for money.
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