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Showing all news in Latest News
Glendyn Ivin & Bruce Permazel have Best Direction awards so far, while Belinda Chayko and the team of David Tranter and Steven Macgregor have the Best Screenplay gongs.
Launching the silly season is The Grinch, proving we are all now desperate for a happy ending in a world of petty meanies.
What works in the US low budget market? Go for drama but don't give up on niche.
New appointments for Monash Centre for Theatre, Queensland Music Festival, Symphony Services Australia, Regional Arts Australia, Monkey Baa Theatre Company, and more
Proceeds from the sale of the Brisbane organisation’s heritage-listed home will be invested in a fund designed to seed arts projects and initiatives for decades to come.
Architects appointed for Australian Museum redevelopment, NGA unveiled new Yayoi Kusama infinity room acquisition, a new cultural hub for Redfern and many more.
Television expert Gus Howard attended the sessions about Netflix like an ace detective. Here is his dossier.
This year’s IMAGinE Award winners speak about the impact of recognition on building capacity and sustainability as small arts organisations.
We are waiting for next week, but a couple of smaller pictures are well worth a visit, as the Australian films still hang on in the background.
Why are the best female characters bad girls and anti-heroes? Our report on the juiciest panel at Screen Forever.
Following budget cuts of $4.9 million to the arts earlier in the year, the Marshall Government has softened the blow in order to better support the state’s early career artists.
Winners of 2018 Mark and Evette Moran NIB Literary Award, accolades to Newcastle Art Gallery, Linden Postcard and Archibald People's Choice Winner, plus more.
Women are fighting behind bars in Wentworth, wrestling in GLOW and swiping right on Tinder in a YouTube comedy. We threw in a Coen Brothers western for testosterone.
As a veteran producer, Gus Howard brought a trained, practical eye to Screen Forever 2018. Here are his general observations.
Data and diversity are central to the modern AFTRS approach, a long way from its modest and intuitive origins 45 years ago.
Bridget Ikin is a remarkable producer and we hope she inspires younger people in an industry caught between art and money.
The Chinese are pumping out new regulations about foreign workers and productions which far outstrip our domestic controls. Will it matter?
New Executive Director for Regional Arts Australia; co-Chairs announced for National Aboriginal Art Gallery National Reference Group, St Martins appoints Inclusion Coordinator, and more.
The Butterfly Tree, Harrow, Mystery Road and Picnic at Hanging Rock provided award-winning opportunities for fine composers.
The Tasmanian Government has announced a five year funding commitment through Events Tasmania to the Australian Musical Theatre Festival, to be held in Launceston in 2019.
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