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Fremantle Art Centre’s hugely popular Revealed WA Aboriginal Art Market is back! But after last year’s event was cancelled by COVID, they’re taking no chances, with the 2021 market going online.
Dominating the box office, but faced by cuts, what is the future of the Australian feature film sector?
The subjects covered in the latest round of funded documentaries ranges from koorioke to fungi to social justice.
The well-oiled screen industry lobbying machine went to Canberra to launch a key demand converting the streaming companies into partners with the local screen sector.
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.
From digital pivots, to government funding (or lack there of), to conversations and resilience – we take a look at the year that was as COVID took its toll on the arts and culture sector.
Opinions & Analysis
A new collaboration between Windmill Theatre Co and the innovators behind a purpose-build app has resulted in an immersive theatrical play experience for kids.
To be held in August every year, a new month-long national celebration of Australian poets has been created by Red Room Poetry.
The classical music sector has long been dominated by men, a situation only amplified for classical saxophonists. The sexism in the industry needs to change, says performer, researcher and educator Jazmin Ealden.
2021 Fogarty Literary Award now open, Kat Muscat Fellowship recipient announced, Varuna launches new fellowship program for writers with disability, plus more awards and opportunities.
Melbourne’s newest cultural precinct, Collingwood Yards, has opened to the public after a long gestation.
The producers behind Bob’s Burgers and Superwog are joining forces on Princess Bento Studio, which will create 150 full-time technical and creative jobs in Victoria’s animation sector.
Five projects have gained a share of $60,000 funding through Screen Tasmania as part of the state’s Cultural and Creative Industries Recovery Strategy.
As we run out of new Australian fiction releases, we see the beginning of a traditional pattern in the top twenty. Foreign pictures squabble over the spoils.
Online conferences were great for shy people, but now in-person events are back. Brush up on your social skills and be brave, says Media Mentor Esther Coleman-Hawkins.
Kinsella takes his readers off the edge of the map.
The Drover's Wife looks like the ultimate revisionist Western, turned inside out and upside down by Indigenous Australians and sent back with a note from the formerly victimised.
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about different phases of their practice?
Can we ever call a work finished? Leonardo Da Vinci said no; rather, we just abandon. We speak with artists who decide when an artwork is complete.
Boardroom etiquette is typically formal. Is that a good thing? A panel of improv-theatre makers and CEOs suggest otherwise, in a recent panel at Pause Festival.
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