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Showing all Performing Arts news in Reviews
Virtuosic dance meets playful yet pointed critique of machismo in this engaging but sometimes problematic Argentinean production.
One of Australia’s most exciting circus companies finds the sweet spot between the intimacy and ambition of previous works, resulting in an outstanding new production.
In the hands of South African choreographer Dada Masilo, Giselle’s journey to the spirit world is captivating, but its strengths have little to do with its European legacy.
Mighty is an exceptional new drama developed by Adam Deusien in collaboration with Alison Plevey, and one of Australia’s most astonishing living sculptors, Harrie Fasher.
A change of pace for Townsville’s theatre company finds them in a warm and intimate space.
Award-winning Adelaide illusionist Matt Tarrant returns to the Adelaide Fringe for another season of trickery.
Dead Cat Bounce, from Mary Rachel Brown, plays out a witty, comic and ultimately very moving story.
Ritual is a meditative and trance-like performance with sudden explosions and changes of mood and tone.
A breezy opera that spirals into romantic tragedy, Werther is one of opera's most performed productions and it returns to Sydney with international talent.
Presented as two full-length plays, which audiences can see on consecutive nights or back to back on the same day, this is an epic, occasionally frustrating sequel to JK Rowling’s remarkable act of literary imagination.
The opening concert of Camerata's 2019 season offered an eclectic and interesting choice of repertoire.
David Hare's latest is flat and disappointing.
A disappointing commission and two flavourless readings of colourful and dynamic works opens the SSO’s 2019 Masters Series.
It is a rare treat to see one of Europe’s most highly regarded ensembles performing in the intimate setting of Adelaide’s historic Elder Hall.
A live-music experience that puts you front and centre of making, listening, sharing and reminiscing about music that moves.
A troubling piece of theatre that struggles to deliver.
The Last Great Hunt unite their diverse skills and passions in a larger than life celebration of arthouse cinema, filmed and performed live in the theatre.
A haunting encounter with our collective humanity, staged among the tombs and gravestones of East Perth Cemetery.
Mozart and Mahler – a delightful sound palate of heavenly music.
The ramshackle rooms of a former home for elderly and destitute men become the site of a new dance work by STRUT in collaboration with Punchdrunk's Maxine Doyle and collaborators.
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