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Showing all Performing Arts news in Reviews
Five artists from lutruwita (Tasmania) explore the use of clay as object, body and sound as part of the Australian Ceramics Triennale.
Mental health is a tricky topic but Così is a big-hearted if not particularly sophisticated play.
A heartfelt and mesmerising story told in piano.
A thoughtful production that shows Shaw’s play is still relevant today, more than a century after its stage debut.
Bilingual English and Arabic adaptation of the Greek tragedy is a shattering look at the horror of war.
A startling, vibrant portrait of an artist and disabled feminist icon.
Clare Testoni’s cyber-gothic tale is an accomplished exploration of the changing nature of reality.
A new version of Molière’s 17th-century play by Justin Fleming entertains but doesn’t quite satisfy.
Replete with pop culture references, Qui Nguyen’s bloody comedy pays loving homage to the horror genre.
From the very start this Festival’s engagement with the Indigenous community has been genuine and true, sensitive to the connection of the land on which it takes place.
Megan Wilding’s first full-length play delivers piercing, effortless emotion.
One of music’s great blessings to humanity is its capacity to still the unquiet mind.
The greatest beauty can come from the smallest things.
It was surprising to learn that this distinguished French Piano Trio is making its first visit to Australia.
Books don’t get much more loved than Possum Magic by Mem Fox and Julie Vivas.
This collaborative performance by Trinity College Choir and The Song Company demonstrates mature innovation.
A dark and thought provoking work of theatre, skilfully brought to life by a talented team of creatives and performers.
Combining new disciplines of city circus, songs and action, slow sequences and frenetic ones, this show is designed to give the younger audience an exciting experience.
These Aussie blokes just keep on tapping!
Shakespeare at his most minimal.
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