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Showing all Performing Arts news in Reviews
Six acts look at the problem of single-use plastic from different angles.
The Poe-inspired immersive adventure is more campy than creepy – and it’s all the better for it.
Iron Lung’s all-female production foregrounds Marsha Norman’s taut script and impressive performances from the cast.
Dancenorth’s vibrant collaboration combines a dance troupe with 100 drums.
Lab Theatre’s two-hander explores strained and hollowed-out domesticity.
Devised by people experiencing homelessness, this immersive experience reveals the Orwellian dimensions of social services.
Slingsby Theatre Company’s adaptation of Oscar Wilde takes small audiences on a rich journey.
SSO’s concert performance of Britten’s opera brought out the best of the best – so where was the audience?
Hayley Lawson-Smith’s retelling of the Nativity is meandering and frustrating.
A right royal display of piquant La Réjouissance.
With electric choreography and polished performances all around, this musical is one to catch.
A poetic and hilarious two-hander that challenges reductive ideas of femininity and religion.
I have never heard the Sydney Opera House organ sounding better.
Schubert’s masterful Symphony No.9 was a highlight of a challenging Queensland Symphony Orchestra program.
A close examination of love and quantum mechanics that will have you pondering the delicate nature of human relationships.
Sit back, open your heart, and go on an incredible journey.
Five performers offered distinctive, poignant takes on womanhood on a cosy winter night.
Bell Shakespeare’s new production is a uniquely Australian interpretation with something profound to say.
A period rom-com that celebrates the mess and magic of theatre.
Peta Hanrahan’s adaptation showcases Woolf’s insight and wit but doesn’t move the conversation forward.
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