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Showing all Performing Arts news in Opinions & Analysis
Has the internet damaged arts criticism beyond repair? In her new Platform Paper, Alison Croggon argues that the web has oversimplified cultural discussion and chased clicks over critiques.
Opinions & Analysis
Far from political correctness being the arch enemy of comedy, comedian and beloved rabblerouser Tim Ferguson believes that neither could exist without the other.
Addressing the climate emergency and improving relationships with Indigenous Australians and Pacific Islanders means building people-to-people exchange, according to our new British High Commissioner.
When actor Neil Pigot found himself diagnosed with depression he denied the diagnosis and tried to go on. With that ‘regrettable decision’ he prolonged his recovery and made it harder to find a way out.
Arts and wellness educator Molly W. Schenck talks about how to have tough conversations in art without traumatising collaborators.
With 2020 shaping up as a stellar year for Australian performance, Alison Croggon picks her highlights from reimagined icons, thrilling casting and all the tickets to sell your grandmother for.
Young delegates faced the pressing issues of our time at this year's National Youth Arts Summit.
There’s been a lot of talk about the need for an institution dedicated to First Nations performing arts. Carissa Lee argues that such an institution could segregate our culture and support the ‘doom narratives’ of the past.
Being an ally means being prepared to do the difficult work towards structural change.
Adelaide dance lecturer Dr Jeff Meiners remembers Ausdance National's many initiatives for Indigenous dance.
Artists with disability believe it is their right to be reviewed in the same way as abled artists; that the narrative should come from the quality of their work, not their disability.
Executive Director Shaun Comerford says the company’s extraordinary growth is underpinned by one important adage: the art comes first.
As Ausdance National closes, Colm O’Callaghan reflects on the National Dance Forum, contemplating Indigenous practice and investigating future advocacy.
From cutting edge performance to timeless Aboriginal art, here are ArtsHub’s picks from the Darwin Festival program.
Looking for bigger audiences and permanence for dance experiences led Sue Healey to film as a way of capturing the experience.
Fight director, actor, critic and dramaturge Dr Danielle Rosvally starts all her theatre students off with one simple lesson which begins with critical skills in the car park.
Indigenous professionals discuss what First Nations leadership looks like, and why it might offer a more viable model for bringing authority to an Indigenous-led centre.
From mentorship to resilience, patience and power, Gen X women have learnt to navigate our male-dominated world for change – and Gen Y are listening.
A united call to action for cultural leadership and systemic change in opera
co-authored by Sally Blackwood, Liza Lim, Peggy Polias and Bree van Reyk.
Christopher Sainsbury shares lessons from Ngarra-burria First Peoples Composers program in a new Platform Paper.
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