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Showing all Performing Arts news in Opinions & Analysis
We have until 10 May to say what’s needed in the Australia Council's next Strategic Plan so let's embolden them.
Opinions & Analysis
Adapting a critically acclaimed, non-linear, sci-fi-infused anti-war novel is no easy task. Playwright Fleur Kilpatrick explains how she tackled the task.
Artists remind us to remember the whole Australian story of conflict this Anzac Day through Aboriginal perspectives.
Finding her female comedy icons then her way onto the stand-up stage was no joke for comedian Joanne Brookfield.
A recent Parliamentary Inquiry into Canberra’s national institutions made 20 recommendations. What were they, and were they warranted?
This is a sad and unfortunate case, and the silence since the ruling has been very loud. But silence can’t win if there is noise.
Workshopping theatre with actors of different levels of ability and diversity gave Didem Caia new insights into her practise.
For Nithya Nagarajan race still influences who gets to be part of the conversation in the arts, and she thinks that diversity is becoming a polluted word.
On Monday night, playwright Patricia Cornelius was honoured with a Lifetime Achievement Award by Melbourne's Green Room Awards Association. Here is her acceptance speech in full.
Picking up where Richard Gill left off as the new Music Director of Sydney Chamber Choir Sam Allchurch contemplates the music for his first performance in the new role.
Walt Secord outlines what Labor has in mind for the arts – including keeping the Powerhouse Museum where it is, and a new institution for Parramatta.
Minister Harwin outlines his party's wins for the arts during their time in government, and presents his plan for the future if re-elected as NSW Arts Minister.
Coinciding with a national call out for greater artistic courage, NAVA also responds to continued political interference in arts decisions as the NSW election approaches.
Is banning the music of artists accused of reprehensible behaviour the best course of action? Why single out Jackson for this treatment, given the apparent scale of abuse in the music industries?
Has a preference for television-style realism resulted in most Australian theatre becoming about as interesting as muesli?
As more new Australian works are developed, the desire to investigate alternative dramaturgies, in order to say what can't otherwise be said, is growing.
First Nations artists and arts workers offer advice on how to embrace the International Year of Indigenous Languages.
As a decline in long-form criticism erodes audience literacy, writing that demystifies the making of professional theatre will become even more sought after. So why is it mocked by the old guard?
Our language tells us a lot about who we are: our confidence, our embrace of trends, our professionalism and our priorities. So what did 2018 say?
In her 2018 Philip Parsons Memorial Lecture, playwright Alana Valentine speaks about the power of the collective experience and those rare moments when a work of art becomes a conduit for spontaneous community expression.
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