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Showing all Performing Arts news in Opinions & Analysis
An Indigenous Festival director is using the psychology of hope to reframe cultural exchange.
Opinions & Analysis
The assumptions that makes amateur theatre an old joke are really a power play that creates a fall guy for culturally privileged professionals.
A recent report showed that Australia was at the bottom of the list when it came to business-university collaboration. The arts is turning that around.
Sure it's iconic. But there is a reason we complain about acoustics and argue over rennovation of the Sydney Opera House.
We need to rethink our physical spaces to create meaningful live experiences for the constantly connected generation.
In 2016, the most commercially successful music in the world wasn’t Beyoncé, Britney or Bieber. It was arguably more problematic.
Perhaps you’re not ready to have the intersectionality conversation with your Trump-supporting uncle. But you could share a theatre that bridges the gap.
Australia has public holidays for agricultural shows, football finals and a horse race. Why don't the arts have a public day of celebration?
The superficial scramble for cultural diversity is not addressing the deep causes of exclusion and the power imbalance in the arts.
We salute the lives and careers of the artists who took their final curtain call in 2016.
Other countries use regional theatre as a staging post or experimental crucible but Australia is so obsessed with the majors it ignores the opportunities of the bush.
Streaming, live performance, merchandising and teaching are combining to give musicians improved incomes despite the challenges of new technology.
The recent National Opera Review concentrated on the big fish - but innovation is often found with independent artists.
Imagine if regional presenters cared half as much for the artists who live in their own towns as they do for bringing in the money-spinning touring works.
Read the full 2017 Peggy Glanville Hicks address on how musicians help us find new meaning in our present.
A flagship theatre company can transform a city’s view of its place in the world, prompting conversations on issues of local significance.
'Massive, unjustified, poorly researched and based on a remote and disconnected economic ideology of unusually destructive force.' That's what the Copyright Agency thinks of the Productivity Commission's draft copyright proposals.
Veteran actor Keith Robinson returns to the stage after a ten year recovery from a severely disabling variant of Guillain-Barre Syndrome.
Struggle is the essence of drama proposes playwright Michael Gow in his keynote address at the National Play Festival 2016.
Indigenous Arts needs its own peak bodies to enable specific outcomes to the Indigenous sector that the mainstream arts cannot deliver.
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