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Many dancers face the end of their stage careers by their mid-30s. What options do they have when they retire from performing?
Next month's Unwrapped at the Sydney Opera House features some of Australia's most adventurous indie companies.
Looking at Australia’s literature and publishing sector, Karen Wyld suggests how it could better support First Nations writers.
Opinions & Analysis
A member of New York’s iconic feminist collective will headline Sydney Contemporary’s Talks program posing questions about race, representation and the F Word: Feminism.
Intelligent, beautiful singing and playing from masters of their craft, Nicole Car, Étienne Dupuis and Jayson Gillham.
The sudden death of beloved Indigenous actor last Sunday in Edinburgh, Scotland, was confirmed by her ‘devastated’ family today.
Belvoir’s fresh and captivating production transposes Brecht’s play to a contemporary setting that wrestles with climate change and our place in the universe.
Create NSW announced its new Artform Advisory Boards attempting to establish a representative group to consult on funding. ArtsHub looks at how the numbers added up.
Serge Ou's documentary unearths another unhinged history of a sub-genre that bypassed good taste, writes Glenn Dunks.
Van Grinsven's confident debut, an AFTRS Masters project and SFF audience award winner, is an evocative portrait of contemporary queerness delighting in its sexuality.
Palm Beach and Danger Close open wide, and little horror sensation Midsommar tops limited release.
Arts groups are urging the Minister for the Arts to increase funding, as the sector digests the latest funding blow.
According to a report released today, Australia’s cultural sector still has a long way to go before it truly reflects our society.
Originally billed as a slasher, the result is an unexpectedly joyful reflection on communal experience.
Jennifer Kent's bloody revenge tale named Best Australian Feature and short film winners include 'The Egg', 'Passage' and 'Lost Rambos'.
Screen Australia's Head of Development Nerida Moore says the Generate Fund's first year has been a roaring success.
For Archibald Prize finalist Amani Haydar the road to an art career curved around family expectations and an Arab upbringing.
Director Isabel Peppard talks about Morgana, her first feature documentary, a portrait of unexpected leading lady.
The Babadook director returns with a different kind of horror: an essential film that gives voice to female suffering.
2020 Guest Conductor for MSO, The Lock-Up farewell's Director, and more job announcements
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