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Melbourne’s two major theatre companies open significant productions a night apart, and never has the contrast between the companies been more pronounced.
Love, Displaced reminds us that we can still find empathy and pause in our era of 21st century screen culture, and find connection in a multiple video exhibition.
Twenty years after performing alongside her parents, Ursula Martinez revisits the conceit after her father's death and as her mother battles dementia.
Screenwest is now headed by a fierce combination of veteran management, PR talent and quokka protection as John Driscoll is announced as Chair.
Records tumble at Arts Centre Melbourne, new leadership program announced in regional WA, festival winds up, latest program announcements, and more.
A new digital project is committed to making all WA’s regional collections accessible, with additional funds for training to ensure its sustainability.
Stella Prize judges said the books published in 2018 by Australian women were ‘a sample of the zeitgeist, a look at what is informing our thinking right now’.
A special panel discussion at NIDA will put LGBTQI+ storytelling and representation centre-stage this Valentine’s Day.
This important piece of South African history teaches global lessons in humanity, tolerance and environmental respect. It’s an exhibition for all Australians, not just photography buffs.
Dunford has had a wide-ranging career in digital leadership, and will be relocating from Canberra to Melbourne to take up his new role.
Protection against seizure and restitution has enabled some of China's most important objects, once housed in the Imperial Palace and now held by Taiwan, to travel to Sydney.
The story of Peppa Pig in China is an instructive tussle between capitalism in a one-party system, and the enduring power of entertainment to deliver profits.
Adrian Martin is charmed by the genial Aussie hitman at the centre of Foxtel's international hit series.
Thrilling psychodrama, quirky Tasmanians, Netflix picks and smart podcasts to make your ears ring.
Adelaide’s sharp, casual, to-the-point sentences are both silently aesthetic on the page and a pleasure to read aloud.
The most powerful aspect of The Wolves is the dissonance between admiring the physical skills and focusing in on the emotional interior of each person – making for entertaining theatre watching.
The world may not have noticed the Sundance sessions, but they are a hoot. Give yourself an hour of fun.
A violent thrill ride through Sydney's western burbs, with just enough realism to make the carnage plausible.
NGA Director Nick Mitzevich’s maiden exhibition traverses gender, genre and history when it comes to describing the body by putting these themes together in a visual mosh pit set on spin.
A production designed with care and featuring performances pitched to bring the audience into the cacophony that fills the silences inside human communication.
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