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Devised by people experiencing homelessness, this immersive experience reveals the Orwellian dimensions of social services.
Slingsby Theatre Company’s adaptation of Oscar Wilde takes small audiences on a rich journey.
Gender diverse and non-binary creatives share tips on ways to make a workspace safe, inclusive and respectful.
Hyperlocal, decolonial, diasporic, idiosyncratic – how Australia’s international arts programming is changing.
The artistic directors of 22 Australian companies have expressed grave fears for the future of Playwriting Australia.
NAISDA announces new Head of Dance, new Executive Director for Circus Oz and Royal Academy of Dance, and other appointments.
From activism to entrepreneurship - become an influencer in the arts with NIDA’s MFA in Cultural Leadership.
The perfect series: Turkish woman astronaut brings her children home from abroad to face their vampire father.
MIFF 2019 opens with The Australian Dream, the documentary centred around Adam Goodes which was the perfect film for our times.
Opinions & Analysis
Getting your work out into the world is always challenging so Sam Grover asked how can we promote ourselves better with so many digital channels.
From cutting edge performance to timeless Aboriginal art, here are ArtsHub’s picks from the Darwin Festival program.
Artists aren't giving up in the face of global mining company Adani as Associate Professor Felicity Fenner finds hope in artworks using the black finch to push the message to the world.
Australian director Claire McCarthy is back with Ophelia while we discover that Fast and Furious: Hobbs and Shaw is so daft it is a delight.
Cinema's first female filmmaker was a prolific international talent, but remains unknown. This brisk entertaining documentary addresses that problem.
We take a look at this week's top news stories from around the galleries, on stage, the festival scene, wrapping screen news and Aussies making it abroad.
SSO’s concert performance of Britten’s opera brought out the best of the best – so where was the audience?
Australian director Claire McCarthy restores agency to the tragic heroine in this campy yet gorgeous adaptation, writes Mel Campbell.
Dwayne Johnson and Jason Statham strut their stuff in this ludicrously fun Diesel-free spinoff.
Powerful, topical and superbly produced, this is a rare event in Australian television history, writes Chris Boyd.
Looking for bigger audiences and permanence for dance experiences led Sue Healey to film as a way of capturing the experience.
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