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Twenty emerging producers from across Australia have been selected to participate in Screen Producers Australia’s Ones To Watch mentoring program for 2016
Interactive digital media is a shape-shifter which has now even found a way to conjure co-pros to feed its endless self-transformation.
St Kilda's annual tribute to short films opened with splashy panache, went very dark and blasted out into a street fight in Switzerland.
Copyright is not a simply case of protection; by strategically planning and auditing their copyright organisations can monetise those assets.
Scott Hicks' latest music-focused feature charts the passion and rigour of classical music, but overflows with competing elements.
From augmented apps and self-guided maps, to guided tours, we give you the lowdown on unique ways to engage with art in the city.
Bits & Blogs
A Parliamentary Inquiry into access to media and the arts in regional and rural Australia failed to hold public hearings outside capital cities.
Volunteer guides are the unsung heroes of many a gallery and museum. But they are about to get some help from an unlikely courter.
By activating senses other than sight, curators force audiences out of their zone of complacent viewing
Next Wave Festival presents a strong dance debut that suggests a brilliant future.
We have reached Year Zero, a point where cultural policy and infrastructure no longer serves the interests of the arts, the artists or society.
Opinions & Analysis
A tour de force, BlaaQ Catt is a story that demands to be heard.
A bricklayer at a barbie held the key to turning the tragedy of asbestos into Dust, a dramatic case study in social change art
A new Festival Director for Ballarat International Foto Biennale and Expressions Dance Company says goodbye to CEO Libby Lincoln this week.
A black-on-glossblack, candle-lit, three-hour funeral march into the arms of fate.
In the lead up to Mildura Arts Centre’s Diamond Jubilee, we ask them how they built a sixty year legacy.
Leaders in the visual arts sector respond to the stripping of organisational funding in a joint statement.
Opera Queensland brings to the stage a Puccini classic.
David Berthold, Artistic Director of Brisbane Festival, says we shouldn't restore lost funds to the Australia Council: we should double them.
Lisa Havilah explains why cultural institutions should be radical and participatory, and shares her secrets to success.
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