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Showing all news in Features
Corporate collections are traditionally the bastion of conservatism. Allens Linklaters flips the tables on the corporate brand with edgy commissions.
Bentley Dean talks about how the film Tanna came together. Pigs and kava were involved.
Is it appropriate to now own 'Aboriginalia' in a knowing, retro-trashy way – when racism is still alive and well in Australia?
A shorter working week is not to be sniffed at, even in the arts where many of us already eschew the 9-5 lifestyle.
US producer Amy Hobby provides a wealth of experience about the changing landscape of festivals, and the tools to fight for recognition.
Good eyesight might seem to be a prerequisite for an artists but from Impressionist Edgar Degas to cyborg Neil Harbisson, colour blind artists replace clear sight with creative insights.
The psychological benefits of art work best when audiences slow down but galleries struggle to stop the rush.
Torn from the headlines, but evergreen too - print media chats up short film makers with a contradiction.
No one doubts Shakespeare's comedies are art but contemporary comedians are often dismissed in discussions of cultural value.
At $156m, Lion has now beaten Hacksaw Ridge's $150m around the world - if we leave out China where it is not running.
Skills are transferable, age is a factor and sometimes you just need to take a chance when it feels right.
A new generation of artists and gamers are creating war stories which reveal much about our militaristic culture.
With the Australian International Documentary Conference this week, we can only provide the ratings in a single clump.
Companies large and small are benefiting from bequest programs, but asking supporters to consider their mortality isn’t always an easy conversation to have.
The annual speech from Screen Australia at AIDC is a chance to reflect on both the business and the state of the community.
The arts like to think of themselves as the heart of originality but perhaps we can learn from info tech, design and even banking when it comes to innovation.
Museum Victoria consulted more than 600 experts to create its new Children's Gallery and 500 of them were kids. Now the children's insights are being used in adult spaces.
We know people are more likely to hire people like themselves. So how do we break a pattern where Artistic Directors and Gallery Directors are mostly male, even though women are the majority of arts industry workers?
Chick lit, authoress, woman writer - we often shudder at the application of gender labels. Can women claim these terms as their own?
Sources of strength from Lady Gaga, JK Rowling, Georgia O'Keefe and many others.
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