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When claims and statistics about book sales versus e-readers are bandied about, it pays to be suspicious.
The frog has finally jumped out of the boiling pot and the growing crisis in kids' TV has gone public. The Greens are leading the charge.
An enquiry into content quotas, the end of the license fee, the abolition of the two out of three rule - it all adds up to the Saturday Shock as the budget looms.
David Walsh's Museum of Old and New Art is located in one of the most disadvantaged municipalities in Tasmania, but are locals taking up the offer of free entry?
Whether venturing around the country or overseas, planning a long-term touring strategy needs careful consideration.
Unable to create true reform from within, former Head of ABC TV calls for new government mechanisms to ensure ABC accountability to fundamental cultural policy.
The American Essentials festival doing the rounds through May is curated by Richard Sowada, as a challenge and a temptation to Australian filmmakers.
From indie artists to state companies, even the most skilled arts administrators are sometimes faced with catastrophe. What can we learn from disaster?
Arts organisations are ‘snow blind’ with demographic data that fails to explain what really makes audiences buy tickets. There is a smarter alternative.
How do the Best and Outstanding categories line up at the Logies? Which production companies triumphed? Why the unicycle?
Drinking coffee at work has a range of benefits, plus four more.
One year since the Victorian Government announced an extra $115 million in cultural investment, what has the program achieved, and what are its next targets?
Monetising your art might kill your creativity.
In her film Cameraperson, Kirsten Johnson confronts the sequences that challenge her understanding of her craft, her morality and the human condition.
It’s your last chance for this weekend’s INTRO TO VR in Sydney, WRITING FOR TV (10 weeks, online) starting next week, and INTERNATIONAL MARKET STRATEGY in Melbourne next Thursday, presented by Screen Producers Australia (SPA) in conjunction with AFTRS.
When industry moved out and left a country town floundering, art festival Cementa moved in to activate it.
From comedians who deliberately make you sad to a new wave of feminist humour, comedy festivals are the perfect time to assess the art form's current concerns.
A new kind of gallery space is emerging, straddling the distance between the traditional commercial gallery and the artist-run not-for-profit.
Self-care has been hijacked by a consumption-driven wellness industry but activists are reclaiming it as a political act which defies the devaluing of women's lives.
Young workers expect older colleagues to get out of the way, freeing up jobs and ceding key cultural spaces.
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