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Museum and Art Gallery of the Northern Territory (MAGNT)
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Showing all news in Reviews
Samantha Lang's feature documentary deftly tells the story of a key figure in Australian art. Visual and performing arts critic Chris Boyd says it's brilliant.
A genre-bending show that explores the narrative of colonialism, culture and connection with humour.
A stunning technical achievement, this photo-realistic Disney remake fails to convey the powerful emotions of the story.
Ralph Fiennes' directs this Nureyev biopic with visceral vim, resisting the usual cliches about creativity and identity.
Free-Rain Theatre Company’s production captures the joy of the Broadway musical.
Eccentric nuns defend their way of life with devilish consequences, in Foxtel's new mini-series adaptation. Chris Boyd says it pays big dividends despite some clumsiness.
Gorton’s meditations take on a contemporary romanticism towards Melbourne and contrast it with the history of empire.
Opera Australia has premiered its first new work in nearly a decade, and it’s quintessentially Australian, both in subject and tone, but does it capture the spirit of artist Brett Whiteley?
A candid look at the rivalry and comradeship between some of Hollywood’s A-list comedians.
The four-day program fosters inclusive art and new possibilities.
A fitting farewell to a very popular Principal Conductor.
Gary Abraham’s production brings alive a mesmerising and thrilling Mancunian urban dystopia.
A creative chameleon, Naomi Hobson is a surprising talent and her new photographic series flutters between that awkward and deadly space of finding blak teen identity.
Sarah Grochala’s dark and gritty production could go further in terms of immersion.
McCall Smith can’t resist letting his characters ruminate on some ethical issues.
Newcastle artist Lyndal Campbell dealt with her fast-approaching exhibition deadline by moving into the gallery.
Kovacs continues to push her medium while remaining true to her DNA.
Sam Wang’s solo show is a hilarious and nostalgic thrill ride through time and pop culture.
If you’re not a fan of watching two people bickering in a car, you may want to overtake this ABC comedy, says Anthony Morris.
A picturesque, experimental production that doesn’t shy away from Lewis Carroll’s darker side.
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