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Showing all news in Reviews
Hobart Fringe presents an endearing and imaginative family-friendly physical comedy.
This contemporary take on 16th-century English history marries witty writing with 90s girl pop.
A genuinely funny production that honours the inclusive values behind the popular film.
CDP Kids offers another engaging production for children with a fun set and energetic cast.
Set in the Gothic heartland of Tasmania, this murder mystery is yet to deliver on its supernatural teaser, says Mel Campbell.
Despite casting qualms, this version is both a beautiful Christmas bonbon and a witty warning against sentimentality.
White tells his story with a disarming utter frankness.
Remember when the future was going to be a bright, shiny place full of optimism and hope? Me neither.
Bernadette Robinson’s versatile, nimble voice and Joanna Murray-Smith’s clever script bring five famous songbirds to life, as well
Sarah Thornton is at her best in her depiction of a football-mad community.
Inez Baranay presents in elegant prose a richly laden smorgasbord of concepts and ideas.
An elegant science-fiction story with a message about the mess humans have made.
Easy charm and subtle moments work better than broad comedy in this Stan Originals series.
Jacobson reminisces on Jewish culture, family, dementia, anxiety and love in a haunting and beautiful poetry collection.
The dancers of Mature Artists Dance Experience show that growing older doesn’t have to be graceful with an impertinent, cliché-busting performance.
A confident, tense, two-hander that throbs with chemistry.
The NGV’s exclusive exhibition provides a comprehensive and diverse survey of the artists’ work with insight into their lives.
Double bill featuring Pushkin’s play and Rimsky-Korsakov’s opera shows that the more musical version builds on its inspiration.
Local literary institution Going Down Swinging’s bumper 40th edition is a timely reminder of the power of art.
Curator Deborah Hart takes a look at the lesser known artist Hugh Ramsay, a prodigy who died at just 28, but whose impact on Australian art is more deeply felt than we realised.
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