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Showing all news in Reviews
It’s a challenge to curate a fresh take on Matisse and Picasso, two of the most widely shown artists, but an age old rivalry adds a new lens.
Sofie Burgoyne and Tess Campbell’s cross-disciplinary work creates choreographic structures out of the embodied labour of care.
Put your fear of missing out into gear and get to this. Rock and roll is dead but punk rock lives.
Bouncing between spectacular installations and intimate considerations, Water is a nuanced exhibition that tackles tough climate challenges.
Adam Simmons and the Australian Chinese Music Ensemble offer an intimate exploration of the craft and beauty in a musical life.
NICA students and Gavin Marshall deliver a sophisticated, contemporary circus work.
Forty years since the company first performed under a big top in Albury, the Flying Fruit Fly Circus return to Hovell Tree Park in a showcase of energy, skill and exuberance.
Alexander Boynes and Mandy Martin team up with sound designer Tristen Parr, to create a poignant multi-dimensional exhibition that taps into our contemporary climate crisis and Australia's resources debate.
A thrilling success hampered by an unsatisfactory acoustic.
Despite some heavy-handed religious imagery, this Opera Australia production is emotionally moving and a treat for the eyes and ears.
A doctor’s personal memoir and a concise history of Australia’s response to the HIV/AIDS crisis.
Grace and timing and humour and beauty. Humans can be appreciated on many levels.
Upright is such a developed and fully-formed work, writes Chris Boyd, it’s hard to believe it’s not an adaptation of a grand work.
Based on research, but claiming artistic license, Alice Bishop’s new play explores the life of an eccentric and unusual would-be assassin.
A dark detective novel, set in a small Tasmanian town and featuring a complex plot littered with the occasional clue for the perceptive reader.
Four innovative young choreographers create new dance works on members of the Sydney Dance Company, resulting in riveting moments of almost magically achieved movement.
Frahm creates a musical world in which any sound is possible: an explosion of choral singing, a robotic chittering, metallic flurries or horns singing whale song.
A recent release of a 1987 concert recording shows Jarrett’s sensitivity and masterful artistry.
Sydney Theatre Company presents a savagely funny black comedy that speaks of camaraderie, cruelty and otherness.
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