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Showing all news in Opinions & Analysis
Street art in Sydney is now very much in demand – but it hasn't always been this way.
Opinions & Analysis
Across the Australian jazz industry, women are disturbingly under-represented. Why, and what can be done to amend this imbalance?
Whitlam's children confront the present, armed with Photoshop and a sense of irony.
Kirsten Paisley, Deputy Director, National Gallery of Australia responds to a recent opinion piece by ArtsHub's Gina Fairley.
In response to Sydney University’s Final Change Plan for SCA, sector leaders have met to identify pressure points in what that vision might look like.
A new wave of survey exhibitions indicates renewed interest in looking back over artists' careers. Australian curators discuss this trend.
ArtsHub posted an image last week of a scheduled performance by Cigdem Aydemir at the MCA, causing comment over lack of context.
Battle of the Blockbusters: We take a look at how our blockbuster diet has changed as two diametrically opposed exhibitions both promise big numbers.
Why go to film school at all? Let the Vimeo shorts show you the options in a question that can never be answered.
A conversation about community, supporting each other and trying not to let the sector devour itself with competition over limited resources.
Kim Dalton presents a progress report on his Accountable ABC campaign, adds digital future twist.
Victoria’s Shadow Minister for the Arts and Culture responds to the first year of the Creative State policy and the recent State Budget.
Former Head of ABC Television Kim Dalton’s Platform Paper argues that the ABC ignores and ultimately betrays its wider responsibilities to government and to our culture. Children’s television is a clear example.
Are the memories of the future to be made of placeless kids' animation and a deflating ABC? The situation is dire.
Richard Moore, former Head of Screen Culture at Screen Queensland, explores the collapse of a broad-based international film festival in Brisbane.
We need to understand the failure of Catalyst in more complex terms than a zero-sum game of winners and losers.
Counting men and women in recent Directors' Guild nomination list is a pretty crude way of making a point - but Lisa French reveals it is also instructive.
There's a lack of input from people working in the arts joining to the decision-making bodies.
Measuring social impact in the arts will elevate the sector and create new opportunities but we need complex, multi-faceted tools.
Childlessness is often regarded as a necessary sacrifice for a creative career, especially for women.
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