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Showing all news in Opinions & Analysis
Revolution or evolution? With a survey of the Major Performing Arts Framework underway, AMPAG's Chair, Deputy Chair and Executive Director argue the case for evolving the current framework.
Opinions & Analysis
Support, connection, self-trust and being truly heard: for young people in Launceston, Stompin is far more than just a youth dance company.
The majority of the Major Performing Arts companies offer up 'a cocktail of timidity, mediocrity, heritage, and tourist arts’, said Big hART's Scott Rankin. He has called for a bold reinvention of the MPA framework.
What can be done to stop performers falling through the gaps between tax, superannuation and social security systems?
Artist Brook Andrew and Monash's Dr Jessica Neath shed light on the international perspectives to Aboriginal Frontier War Memorial Research, in the light of recent public debate.
Gender, ethnicity, orientation, age, shape, ability – everything that defines a character can be dictated by the playwright. It's time playwrights became proactive about writing diverse characters.
A snarky account is generating glee in the Twitterverse.
While artistic specialisation has clear value, it can also limit one's creativity. Sometimes a new collaborator is required, to push you out of your comfort zone.
Queensland artist Fiona Foley calls into question the ARC funded project Representation, Remembrance and the Memoria, saying that to witness another layer of revisionism in Australia is a shameful step too far.
Recruitment is now underway for the next Australia Council for the Arts CEO. Here are some of the key points applicants should be considering.
There are more requirements in a leadership role than just acknowledged expertise in a particular art form.
Sport excels at creating the kinds of universal metaphors and epic narratives that artists always strive for – so why is sport so often reviled in the arts world?
Contrary to hype around this 'MONA effect', the museum’s benefits do not seem to be being shared with Glenorchy, the municipality it is located in.
If the present demographic of arts leadership is to change, then gender equity at every level needs to be addressed.
Artists do their best work when they feel confident to play, when they feel they are not being judged, when they are spoken to with respect.
In the era of the gig economy, one of the core skills all artists and arts workers need to master is how to be employable for life.
An American study shows that in our climate of fake news and hyped media cycles, stability and trust is found in the stories museums tell.
This week’s Meeting of Cultural Ministers has the opportunity to be ambitious and end the fight between sectors and art forms, argues NAVA's Esther Anatolitis.
Recent events may have left some artists questioning the validity of the Fringe model. Simon Abrahams, Creative Director/CEO of Melbourne Fringe, explains why Fringe Festivals are still an important catalyst for creativity and cultural democracy.
No budget cuts to Australia Council funding isn't good news.
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